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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Cannonball Adderley, John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb
In Chicago
ZamknijGaleria okładek
219.00 PLN
SACD ONE LAYER:
Nr kat.: UCGQ056Label : UNIVERSAL (Japan)
SHM-CD/SACD - NOWY FORMAT - DŻWIĘK TAK CZYSTY, JAK Z CZASU WIELKIEGO WYBUCHU!
For an altoist to be dubbed "the new Bird", following the death of the great or perhaps even supreme Charlie Parker, is certainly more than flattering. But it is not so easy to be dispose of such a tag. Julian Edwin Adderly, better known as "Cannonball", certainly did not need such labelling - he was great in every sense of the word and admired for being what he was - and that was in no way insignificant! Just as imposing as his stature was his art of playing - snappy, racy and incredibly rhythmical. So it was really no wonder that Miles Davis recognized in him the perfect counterpart to John Coltrane and augmented his quintet to a sextet in 1958, recording his now legendary album Kind of Blue in March and April 1959. The present album, recorded by the Cannonball Adderly Quintet in February of that year, is also possessed with the very same genius. The common factor is Davis, for all musicians at the recording session played with the Miles Davis Group. There is an intimacy here that is clearly recognizable in Cannonball's solos, where one can already hear the influence of Davis. This recording represents a jazz happening of the highest order, with breath-taking solo dialogues between two giants of the saxophone at the very height of their art.. Najlepsze nagrania, mistrzowskie interpretacje, subtelna i najwyżej na świecie zaawansowana technologia masteringu oraz mistrzowskie, japońskie kodowanie SACD! Tylko dla rasowych audiofili...
Płyty SHM-CD/SACD - w ofercie Clubu CD
