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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Brewer And Shipley & The Yardbirds, Tom Jones, Jefferson Airplay, Bob Dylan, Perry Como
Fear And Loathing In Las Vegas
- Brewer And Shipley & The Yardbirds - artist
- Tom Jones - vocal
- Jefferson Airplay - group
- Bob Dylan - vocals, guitar
- Perry Como - vocal
69.00 PLN
CD:
Nr kat.: GED 25218Label : Warner Music
For years, it was speculated that Hunter S. Thompson's wild, dope-fueled, hallucinatory Fear and Loathing in Las Vegas was simply one of those books that couldn't be adapted for film. Nevertheless, Terry Gilliam -- possibly one of the only contemporary directors with enough visual panache to pull it off -- brought it to life in 1998 with Johnny Depp as Raoul Duke and Benicio Del Toro as Duke's Samoan lawyer, Dr. Gonzo. Promising cast, promising director, and a bunch of promising cameos (Christina Ricci, Tobey Maguire, Cameron Diaz, Lyle Lovett, etc.) -- all the ingredients for a good movie, plus a good period-piece soundtrack, as well. Gilliam has stocked the film with familiar cuts from the late '60s and early '70s -- "White Rabbit," "For Your Love," "Get Together," "Mama Told Me (Not to Come)," "One Toke Over the Line" -- plus album cuts (albeit classics) from Bob Dylan ("Stuck Inside of Mobile with the Memphis Blues Again"), Buffalo Springfield ("Expecting to Fly") and Big Brother & the Holding Company ("Combination of the Two"). There's also a clutch of Las Vegas lounge standards, such as Tom Jones' "She's a Lady," Perry Como's "Magic Moments" and Debbie Reynolds' "Tammy," that hammer home the fact that the movie is set in Vegas. Excerpts from the score and bits of dialogue are scattered throughout it all. All of this plays better if you know the book or seen the movie, but it still has a certain warped charm that's pretty fun, regardless of your familiarity with the crown prince of gonzo journalism. (AMG)