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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
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Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BRAHMS, PFITZNER, Hans Knappertsbusch, Berlin Philharmonic
Symphony No. 3 / Scherzo for Orchestra in C minor
Hans Knappertsbusch; Berlin Philharmonic Orchestra - Brahms: Symphony No. 3 - Hans Knappertsbusch (1950)
01. Brahms - Symphony No. 3 in F major, op. 90 - I. Allegro con brio (11:44)
02. Brahms - Symphony No. 3 in F major, op. 90 - II. Andante (9:33)
03. Brahms - Symphony No. 3 in F major, op. 90 - III. Poco allegretto (6:50)
04. Brahms - Symphony No. 3 in F major, op. 90 - IV. Allegro (10:31)
05. Pfitzner - Scherzo for Orchestra in C minor (12:17)
- Hans Knappertsbusch - conductor
- Berlin Philharmonic - orchestra
- BRAHMS
- PFITZNER
139.00 PLN
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Nr kat.: KICC1252Label : King Records (Japan)
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In the 21 years between 1942 and 1963, Hans Knappertsbusch's performances of Brahms' Third Symphony started slow and got slower -- a lot slower. Knappertsbusch's 1942 Berlin PhilharmonicThird clocks in at 34:21 -- more than four minutes slower than Felix Weingartner's 1938 Vienna Philharmonic recording. His 1955 -- VPO Third from Salzburg clocks in at 38:41 -- more than two and a half minutes slower than Furtwängler's Third there the year before. And his 1963 -- Stuttgart Radio Symphony Third -- this Third -- clocks in at an amazing 42:23 -- still pretty much the record with onlyBernstein's 1981 VPO recording coming close at 42:20.
But tempo is only half the story in this Third; the other half is technique. While one can believe that the irascible Knappertsbusch meant to articulate the opening chords with huge pauses in between and while one could believe that the rehearsal-phobic Knappertsbusch didn't bother to tell the musicians about his unscheduled tempo changes before hand, one can't believe that even the indomitableKnappertsbusch could countenance much less condone the flabby attacks, the sloppy releases, the coarse tone, the stodgy rhythms, and the approximate intonation of the Stuttgart Radio Symphony's performance. Coupled with an equally slow and equally scrappy "Haydn" Variations, this disc will be only for those listeners who absolutely positively have to hear every recording of Brahms' magnificent Third Symphony ever made. Hänssler's 1963 recording isn't as old as it sounds.
>>> Najnowszy (2016) format płyt CD, pozwalający w stopniu dotychczas niespotykanym przekazywać oryginalne, naturalne brzmienie zapisu studyjnego. Płyty UHQCD do odtworzenia we wszystkich typach czytników CD oraz DVD. Format opracowało znane japońskie laboratorium rekonstrukcji i masteringu dźwięku Memory-Tech Co., Ltd. <<<