His greatest as a pianist is in direct inverse proportion to his own aristocratic reticence and the neglect of his recordings hitherto.
The latter we are attempting to rectify. These recordings of the Brahms D minor Concerto (1946) and Nights in the Gardens of Spain (1945) are both with the National Symphony Orchestra, under Enrique Jorda, and both illustrate his magisterial sophistication, his strong yet gentle musical personality, his complexity.