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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BRAHMS, MOZART, Sir Clifford Curzon, Enrique Jorda
Piano Concerto no.1, / Piano Concerto no.23
- 1. Piano Concerto No. 23 in A major, K. 488
- Composed by Wolfgang Amadeus Mozart
- Performed by National Symphony Orchestra with Clifford Curzon
- Conducted by Louis) Boyd Neel
- 2. Piano Concerto No. 1 in D minor, Op. 15
- Composed by Johannes Brahms
- Performed by National Symphony Orchestra with Clifford Curzon
- Conducted by Enrique Jorda
- Sir Clifford Curzon - piano
- Enrique Jorda - conductor
- BRAHMS
- MOZART
Since Curzon made two further recordings of each of these pieces, this unearthing of 78s from 1945-46 wouldn't seem to be all that useful. And, in fact, as well as Neel conducts the Mozart, this recording must defer to Curzon's remakes--especially since the piano is underbalanced. But the Brahms has qualities not present in Curzon's better-known recordings. Jordá, whose career in San Francisco was destroyed by George Szell, creates a potent orchestral backdrop--ironically, more effective than in Curzon's stereo remake with Szell conducting. Curzon's playing is more reckless and powerful than in his stereo version, and the slow movement is so eloquent, it moved me to tears. Despite slightly unclear sound (well transferred), this Brahms is memorable. --Leslie Gerber
