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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BRAHMS, Maurizio Pollini, Claudio Abbado, Berliner Philharmoniker
Piano Concerto No. 1
119.00 PLN
SHM-CD:
Nr kat.: UCCG6228Label : UNIVERSAL (Japan)
Maurizio Pollini’s new account of this torrential masterpiece is the expected distillation of heroic pianism and confessional insight. Abbado’s black-browed orchestral introduction has enough bite and vitriol to make Pollini’s understated first entry seem bitterly resigned, and his traversal of the epic opening Maestoso (21:02) is marginally slower than in his 1980 recording with Böhm and the VPO, available in DG’s Galleria series. The new Adagio lacks something of the heavenly stasis attained previously, and at 12:11 seems occasionally hurried. Pollini’s 13:23 with Böhm, or Andsnes and Rattle at 14:08 are nearer the mark, though the siren voices of the Berlin solo horn and winds add special rapture here, and a quicker basic pulse certainly sustains the urgent character of the work. The Hungarian sonata-rondo finale mirrors the 1980 performance so closely that Pollini devotees won’t need to ditch his earlier account for this remake, a live recording from Vienna’s Musikverein, which affords no great gains over its digitised predecessor. Performance: 5 (out of 5),
 Płyty SHM-CD do odtworzenia we wszystkich typach czytników CD oraz DVD. Gwarantują niespotykaną wcześniej analogową jakość brzmienia, odwzorowują wszystkie walory taśmy-matki. Zdaniem specjalistów - ten nośnik i ta technologia najlepiej - bo natywnie, przenosi na krążek CD wszystkie walory nagrania analogowego. |