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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Bola Sete
Tour De Force
None who were there will ever forget guitarist entertainer Bola Sete's debut at the Monterey Jazz Festival in 1962. He was sensational, turning a huge jazz crowd into a bunch of Brazilian music fans in a few minutes time. Bola Sete died on Valentine's Day, 1987, he was 63 years old. In the 25 years since his 1962 debut he played extensively (especially in the San Francisco area), and became well known to younger �rock' fans. He was often on the "Fillmore Auditorium" shows, but gradually drifted into relative obscurity. His guitar work was particularly admired by John Fahey and George Winston. A guitarist original with overwhelming power and command of his instrument, there are very few jazz musicians of any style or era whose appeal is such that it is safe to recommend them to anyone. Bola Sete is such a musician. When he played, he seemed to embrace his guitar, to fondle it. He drew out of the instrument all the sounds he imagined. A night listening to Sete is exhilarating, and marvelously entertaining.
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