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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Blue Oyster Cult
Secret Treaties
Secret Treaties is the third studio album and final part of the powerful early 1970s trio of albums by Blue Öyster Cult. While the speed-freak adrenaline heaviness and shrouded occult mystery of Tyranny and Mutation is the watermark for the band's creative invention, it is Secret Treaties that is widely and critically regarded as the band's classic. The album spent 14 weeks in the US album charts, Melody Maker rated it "Top Rock Album of All Time" in 1975 and in 2002 Rolling Stone magazine called it one of "The 50 Coolest Records of All Time" At least four of the tracks from Secret Treaties are featured in every Blue Öyster Cult "best of" compilation ever released - that includes the mysterious lead-off track "Career of Evil" which was written by punk poetess Patti Smith, a longtime contributor to the band, the somewhat lyrically disturbing "Subhuman," the mischievous "Harvester of Eyes" and the exceptional epic closer "Astronomy." The songs are expansive and lush in their textures. The BÖC flamboyance is all here and so are the overdriven guitar riffs, the outpouring of urban frustration, an offbeat sense of humor and an ability to rock with grandeur. While elements of psychedelia have always been a part of the band's sound, it was always enfolded in proto-metal heaviness and biker boogie. Here, Blue Öyster Cult created their own brand of heavy psychedelic noir to diversify their considerably aggressive attack.
