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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
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Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BIBER, Eduard Melkus
Sonatas Of The Rosary
- Eduard Melkus - violin
- BIBER
369.00 PLN
2 LP-180G 33rpm:
Nr kat.: LP43166Label : Analogphonic
WYRAFINOWANA!
Violinist Eduard Melkus performs Sonatas Of The Rosary, recorded March 17-23 1967, accompanied by Hans-Jurg Lange (bassoon), Gerald Sonneck (cello, viola da gamba), Huguette Dreyfus (harpsichord), Karl Scheit (lute), Lionel Rogg (organ) and Alfred Planyavsky (double bass). "There is, as far as I know, nothing in the violin literature quite comparable to these incredibly imaginative, relentlessly intense pictorial essays by Heinrich Franz Biber (1666-1704), that still only half-known Salzburg Kapellmeister who plunged with an almost Joycean intellect into the task of delineating the Mysteries of the Rosary in musical outline... Any way you look at it, these sonatas are an experience; one is apt to forget, over a long period of time, just how remarkable - even exhausting - they are. The Melkus performance, a bit more assertive and tending towards brisker tempos, also offers a strong temptation to the buyer. For the con-tinuo part it employs the six instruments listed above. in varying combinations, and in certain sonatas it seems to me that the handling of continuo is more successful - that is, more aggressively set forth - in the new set. Melkus is tremendously skilled and forthright, and his work is exciting. These qualities are evident too in his playing of the solo Passacaglia, a relatively simple example of the form which nonetheless manages to hold you fast. Sound is superb-spacious and clean." - High Fidelity
