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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BERLIOZ, Janice Taylor, Dalton Baldwin
Songs Of Hector Berlioz
- Janice Taylor - mezzosopran
- Dalton Baldwin - piano
- BERLIOZ
49.00 PLN
CD:
Nr kat.: DOR90128Label : DORIAN (USA)
Think "Berlioz" and you think "orchestra". Indeed, the name of this eccentric, idealistic, supremely individual composer, has become fairly synonymous with the unrivalled flamboyance and grand gesture of his best known works, monolithic structures like Symphonie fantastique, Les troyens, and the Requiem. One would not expect such a blustering romantic to be drawn to the intimate genre of song, but Berlioz was. Not only did he compose in the song form from earliest days (his first lyric efforts date from 1818, and continue until about 1849, well into his forties), but he was largely responsible for liberating the French art song from the rhythmic, melodic, and harmony bondage of its ancestor, the foursquare salon romance inherited from the troubadors. Though it is not often acknowledged, it is with Berlioz that the important period of French art song begins. - Cori Ellison © 1990