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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Ben Wolfe
From Here I See
- Ben Wolfe - acoustic bass
79.00 PLN
CD:
Nr kat.: MXJ608Label : MaxJazz (USA)
By Mike Joyce If you were to initially mistake From Here I See for a leaderless small-combo session with strings, chances are Ben Wolfe would be pleased. The bassist-composer isn’t merely in self-effacing form on this outing—he puts into play a group of top-flight musicians who adroitly and discreetly follow suit. As Branford Marsalis comments in his accompanying liner notes, “… there is no overplaying … no massive technical displays of prowess or excessively long solos on the entire recording. The single focus seems to be on serving the melody.” Yes, the melodies—that’s where the album’s chief allure resides. Though Wolfe solos sparingly, his imprint here is evident throughout the album’s dozen selections—tunes that may or may not have been written with precisely this lineup in mind. It’s hard to imagine, however, Wolfe wishing for a more striking take on his gorgeous ballad “Angela,” a melody softly illuminated and embellished by guitarist Russell Malone, or a more appealing performance of the waltzing “Who’s Lily?,” a splendid showcase for Malone, pianist Orrin Evans and its composer. Likewise, Wolfe takes full advantage of the remaining talent gathered, providing trumpeter Wynton Marsalis with more than ample inspiration on two cuts, the highlight being the lyrical gem “So Lovely.” The Baltimore-bred bassist also neatly accommodates his reedmen—JD Allen and, on two particularly enjoyable tracks, Marcus Strickland. Drummer Donald Edwards, dependable as ever, rounds out the rhythm section. As for the string quartet, it’s far from intrusive, often helping reveal the melodic charms inherent in Wolfe’s writing.
