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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BEETHOVEN, Martha Argerich, Gidon Kremer
Violin Sonatas No. 9 'Kreutzer' & No. 10
- Martha Argerich - piano
- Gidon Kremer - violin
- BEETHOVEN
379.00 PLN
2 LP-180G 33rpm:
Nr kat.: LP43188Label : Analogphonic
First Time Ever on Vinyl!
For unprepared listeners, the Argerich/Kremer duo should come with a blood pressure warning. For others this sequel to their Eighties recordings of Beethoven's early sonatas is all they would hope for. The playing starts where others' spontaneity leaves off — a matter of temperament, not wilfulness. You know where you are within seconds of the Kreutzer's start. A massive thrust of the bow begins an intensely expressive line, a crashing piano chord adds grandeur of articulation and then the Presto is off on its unstoppable run. Accent and attack, elemental drama rather than pace, distinguish die duo's way. In their extremes, she leads with the fiery precision, he with the soulful song. Rubato is generous, but does not cloy. In the G major Sonata, Op. 96, Kremer and Argerich have a very relaxed way with die opening theme, though the easing-in makes more sense given the moderation of eventual Allegro. In this sonata's Adagios, Argerich finds inward but full-toned sonorities and Kremer's line takes on a new, serene dimension.This is a very fine performance, while the Kreutzer is astonishing — a showpiece properly addressed. No comparisons: it has to be heard, but no mere room could contain this playing. (BBC Music Magazine)