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NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
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Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
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La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
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Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
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Symphony No. 9 From the New World
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Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
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Faust / Vienna Waltzes
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BEETHOVEN, Helene Grimaud, Vladimir Jurowski, Staatskapelle Dresden
Piano Concerto No. 5 / Piano Sonatas No.28
- Helene Grimaud - piano
- Vladimir Jurowski - conductor
- Staatskapelle Dresden - orchestra
- BEETHOVEN
119.00 PLN
SHM-CD:
Nr kat.: UCCG6243Label : UNIVERSAL (Japan)
AllMusic Review by James Leonard [-]
Hélène Grimaud's performances on this disc -- a coupling of Beethoven "Emperor" Piano Concerto with his Piano Sonata in A major, Op. 101 -- are truly fantastic. Her technique is essentially untouchable and her tone is surprisingly colorful. And, as in her previous recordings, her interpretations are outrageous. With Vladimir Jurowski and the Dresden Staatskapelle in the Concerto, Grimaud is unafraid to do whatever she wants with balance and tempos. And alone in the Sonata, she is even more audacious, bending, shaping, sculpting the music with no restraint applied except her own taste. And, while there is no guarantee that Grimaud's tastes will suit your own, you owe it to yourself to hear and judge for yourself.
One might have thought Beethoven's strongly architectural music wouldn't be susceptible to such blandishment. But Grimaud's willfulness matches the composer's own broad streak of ornery individuality, and her sensual shapes and malleable tempos do the same. Jurowski gets the Dresden Staatskapelle to follow where Grimaud leads in the Concerto, and the results in both cases are perhaps the most persuasive recording of the pianist's career. Deutsche Grammophon's sound is exceptional.
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