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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Barbra Streisand
The Way We Were
- Barbra Streisand - vocal
119.00 PLN
CD:
Nr kat.: SICP8033Label : SONY (Japan)
AllMusic Review by William Ruhlmann Though usually referred to as The Way We Were, the unwieldy full title of this album is "Barbra Streisand Featuring the Hit Single The Way We Were and All in Love Is Fair," an important distinction because it was released simultaneously with the original soundtrack album for the film The Way We Were (Columbia 32830), which also contained a Streisand recording of the title song, along with the film score composed by Marvin Hamlisch. This album was thrown together quickly after that song took off as a single (in a recording different from the one in the film) in the wake of the success of the movie. In addition to the single and the Stevie Wonder song that also features in its title, the album contained a grab-bag of stray tracks dating back as far as seven years and coming from Streisand's fourth TV special, The Belle of 14th Street and an unfinished album project called "The Singer" largely made up of ballads written by Alan and Marilyn Bergman and Michel Legrand. The combined commercial impact of the film and the single propelled this album to the top of the charts.
