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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BACH, Emma Kirkby, The Taverner Players, The Parley of Instruments
Wedding Cantata, Hunt Cantata, Ich habe genug
- Ich habe genug, BWV82
- CD1
- 1 Movement 1. Aria: Ich habe genug [7'51]
- David Thomas (bass), Andrew Parrott (conductor)
- 2 Movement 2. Recitative: Ich habe genug! [1'11]
- David Thomas (bass), Andrew Parrott (conductor)
- 3 Movement 3. Aria: Schlummert ein, ihr matter Augen [10'54]
- David Thomas (bass), Andrew Parrott (conductor)
- 4 Movement 4. Recitative: Mein Gott! wann kommt das schöne [0'45]
- David Thomas (bass), Andrew Parrott (conductor)
- 5 Movement 5. Aria: Ich freue mich auf meinen Tod [3'39]
- David Thomas (bass), Andrew Parrott (conductor)
- Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202
- 6 Movement 1. Aria: Weichet nur, betrübte Schatten [6'04]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 7 Movement 2. Recitative: Die Welt wird wieder neu [0'25]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 8 Movement 3. Aria: Phoebus eilt mit schnellen Pferden [2'55]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 9 Movement 4. Recitative: Drum sucht auch Amor sein Vergnügen [0'39]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 10 Movement 5. Aria: Wenn die Frühlingslüfte streichen [2'34]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 11 Movement 6. Recitative: Und dieses ist das Glücke [0'39]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 12 Movement 7. Aria: Sich üben im Lieben [4'14]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 13 Movement 8. Recitative: So sei das Band der keuschen Liebe [0'20]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- 14 Movement 9. Gavotte: Sehet in Zufriedenheit [1'31]
- Emma Kirkby (soprano), Andrew Parrott (conductor)
- Was mir behagt, ist nur die muntre Jagd!, BWV208
- CD2
- 1 Movement 01: Sinfonia in F, BWV1046a. Allegro [4'00]
- Roy Goodman (conductor)
- 2 Movement 02: Was mir behagt (Diana) [0'35]
- Jennifer Smith (soprano), Roy Goodman (conductor)
- 3 Movement 03. Aria: Jagen ist die Lust der Götter (Diana) [2'14]
- Jennifer Smith (soprano), Roy Goodman (conductor)
- 4 Movement 04. Recitative: Wie, schönste Göttin? wie? (Endymion) [1'02]
- Simon Davies (tenor), Roy Goodman (conductor)
- 5 Movement 05. Aria: Willst du nicht mehr ergötzen (Endymion) [5'20]
- Simon Davies (tenor), Roy Goodman (conductor)
- 6 Movement 06. Recitative: Ich liebe dich zwar noch! (Diana/Endymion) [2'10]
- Jennifer Smith (soprano), Simon Davies (tenor), Roy Goodman (conductor)
- 7 Movement 07. Recitative: Ich, der sonst ein Gott (Pan) [0'29]
- Michael George (bass), Roy Goodman (conductor)
- 8 Movement 08. Aria: Ein Fürst ist seines Landes Pan! (Pan) [3'00]
- Michael George (bass), Roy Goodman (conductor)
- 9 Movement 09. Recitative: Soll denn der Pales Opfer? (Pales) [0'34]
- Emma Kirkby (soprano), Roy Goodman (conductor)
- 10 Movement 10. Aria: Schafe können sicher weiden (Pales) [3'49]
- Emma Kirkby (soprano), Roy Goodman (conductor)
- 11 Movement 11. Recitative: So stimmt mit ein (Diana) [0'11]
- Jennifer Smith (soprano), Roy Goodman (conductor)
- 12 Movement 12. Coro: Lebe, Sonne dieser Erden [2'44]
- Jennifer Smith (soprano), Emma Kirkby (soprano), Simon Davies (tenor), Michael George (bass), Roy Goodman (conductor)
- 13 Movement 13. Duetto: Entzücket uns beide (Diana/Endymion) [2'12]
- Jennifer Smith (soprano), Simon Davies (tenor), Roy Goodman (conductor)
- 14 Movement 14. Aria: Weil die wollenreichen Herden (Pales) [2'45]
- Emma Kirkby (soprano), Roy Goodman (conductor)
- 15 Movement 15. Aria: Ihr Felder und Auen (Pan) [2'49]
- Michael George (bass), Roy Goodman (conductor)
- 16 Movement 16. Coro: Ihr lieblichste Blicke! Ihr freudige Stunden [3'27]
- Jennifer Smith (soprano), Emma Kirkby (soprano), Simon Davies (tenor), Michael George (bass), Roy Goodman (conductor)
- 17 Movement 17: Sinfonia in F, BWV1046a. Menuetto [6'02]
- Roy Goodman (conductor)
- Emma Kirkby - soprano
- The Taverner Players
- The Parley of Instruments - orchestra
- BACH
‘Still by far the best version. The stronger sense of occasion is boosted by Peter Holman’s inspired topping and tailing with sinfonias’ (International Record Review) ‘A very special release’ (Fanfare, USA) ‘The best recording yet of Bach's Hunting Cantata’ (Hi-Fi News) ‘Beautiful’ (Early Music)
