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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BACH, BOISMORTIER, ROSSINI, BARBER, DEBUSSY, Munchener Posaunen Quartet
Ouverture - Works for Trombone Quartet
- Munchener Posaunen Quartet
- BACH
- BOISMORTIER
- ROSSINI
- BARBER
- DEBUSSY
The Münchner Posaunen Quartett has a demanding goal in mind and ear. The four musicians aim to open up anew all the sonic facets of 400 years of stylistic diversity from Michael Praetorius (1612) to Samuel Barber (1936). And they succeed in this aim on the CD presented here: One listens to familiar works more intensively than ever; less familiar works markedly heighten the joy in making new discoveries, encouraging the listener to continue and repeat the experience. Baroque music theorist Johann Mattheson’s statement from 1713 was considered valid for a long time, namely that “the large and small trombones can form a complete choir, but are only rarely used apart from church music and solemnities.” But that was not all that challenged the Munich quartet to take exception. They were also challenged to prove that the unjustifiably termed “heavy brass” can definitely attain a thoroughly chamber-music-like tenderness and expressive richness - as the baroque informant Mattheson puts it, “a gallant gentleman acquiring a complete conception and dignity from the noble MUSIC.” Thomas Horch is principal trombonist of the Bavarian Radio Symphony Orchestra. He is lecturer at the Richard-Strauss-Conservatory and from 2008 on at the University of Music and Performing Arts in Munich. Dany Bonvin is principal trombonist of the Munich Philharmonic and member of the ensemble Blechschaden. He is professor at the Mozarteum in Salzburg. Uli Pförtsch is principal trombonist of the orchestra of the Bavarian State Opera. Volker Hensiek is bass trombonist of the Bamberg Symphony Orchestra. He is teaching at the University of Music and Performing Arts in Munich.
