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BACH, Walter Gieseking

Das wohltemperierte Klavier I and II

Utwory
Wykonawcy
Twórcy

CD 1
Johann Sebastian Bach,
The Well-Tempered Clavier, Book 1, BWV 846 - 869
1. Prelude and Fugue No. 1 in C major, BWV 846 03:12
2. Prelude and Fugue No. 2 in C minor, BWV 847 02:45
3. Prelude and Fugue No. 3 in C sharp major, BWV 848 03:09
4. Prelude and Fugue No. 4 in C sharp minor, BWV 849 05:32
5. Prelude and Fugue No. 5 in D major, BWV 850 02:34
6. Prelude and Fugue No. 6 in D minor, BWV 851 02:40
7. Prelude and Fugue No. 7 in E flat major, BWV 852 04:48
8. Prelude and Fugue No. 8 in E flat minor, BWV 853 07:57
9. Prelude and Fugue No. 9 in E major, BWV 854 02:13
10. Prelude and Fugue No. 10 in E minor, BWV 855 02:40
11. Prelude and Fugue No. 11 in F major, BWV 856 01:50
12. Prelude and Fugue No. 12 in F minor, BWV 857 04:16
13. Prelude and Fugue No. 13 in F sharp major, BWV 858 02:36
14. Prelude and Fugue No. 14 in F sharp minor, BWV 859 03:36
15. Prelude and Fugue No. 15 in G major, BWV 860 03:04
16. Prelude and Fugue No. 16 in G minor, BWV 861 03:16
17. Prelude and Fugue No. 17 in A flat major, BWV 862 03:17
18. Prelude and Fugue No. 18 in G sharp minor, BWV 863 03:38
19. Prelude and Fugue No. 19 in A major, BWV 864 02:50
10. Prelude and Fugue No. 20 in A minor, BWV 865 05:23
CD 2
Johann Sebastian Bach,
The Well-Tempered Clavier, Book 1, BWV 846 - 869
1. Prelude and Fugue No. 21 in B flat major, BWV 866 02:40
2. Prelude and Fugue No. 22 in B flat minor, BWV 867 04:21
3. Prelude and Fugue No. 23 in B major, BWV 868 02:57
4. Prelude and Fugue No. 24 in B minor, BWV 869 07:57
The Well-Tempered Clavier, Book 2, BWV 870 - 893
5. Prelude and Fugue No. 1 in C major, BWV 870 03:35
6. Prelude and Fugue No. 2 in C minor, BWV 871 03:21
7. Prelude and Fugue No. 3 in C sharp major, BWV 872 03:17
6. Prelude and Fugue No. 4 in C sharp minor, BWV 873 04:59
9. Prelude and Fugue No. 5 in D major, BWV 874 05:48
10. Prelude and Fugue No. 6 in D minor, BWV 875 02:37
11. Prelude and Fugue No. 7 in E flat major, BWV 876 04:18
12. Prelude and Fugue No. 8 in D sharp minor, BWV 877 05:19
13. Prelude and Fugue No. 9 in E major, BWV 878 05:45
14. Prelude and Fugue No. 10 in E minor, BWV 879 05:50
CD 3
Johann Sebastian Bach,
The Well-Tempered Clavier, Book 2, BWV 870 - 893
1. Prelude and Fugue No. 11 in F major, BWV 880 04:03
2. Prelude and Fugue No. 12 in F minor, BWV 881 05:16
3. Prelude and Fugue No. 13 in F sharp major, BWV 882 04:38
4. Prelude and Fugue No. 14 in F sharp minor, BWV 883 05:01
5. Prelude and Fugue No. 15 in G major, BWV 884 02:55
6. Prelude and Fugue No. 16 in G minor, BWV 885 05:00
7. Prelude and Fugue No. 17 in A flat major, BWV 886 05:57
8. Prelude and Fugue No. 18 in G sharp minor, BWV 887 08:17
9. Prelude and Fugue No. 19 in A major, BWV 888 03:05
10. Prelude and Fugue No. 20 in A minor, BWV 889 06:49
11. Prelude and Fugue No. 21 in B flat major, BWV 890 07:55
12. Prelude and Fugue No. 22 in B flat minor, BWV 891 06:40
13. Prelude and Fugue No. 23 in B major, BWV 892 04:43
14. Prelude and Fugue No. 24 in B minor, BWV 893 03:14
Łączny czas: 03:27:33

Walter Gieseking - piano

BACH

59.00 PLN

3 CD:

Nr kat.: 8802014
Label : Newton Classics

The German pianist Walter Gieseking was born in Lyon in 1895, and died in London in 1956. Trained in Naples and Hanover, he served in the First World War, then resumed his career touring Europe and gained a reputation as one of the most remarkable pianists of his generation. His performances became famous for their refinement and exquisite command of nuance. His repertoire ranged from the Austro-German greats to the French impressionists, especially the music of Debussy. Gieseking was also a champion of new music, and possessed a photographic memory of scores. In 1950, to mark the 200th anniversary of Bach’s death, he made many recordings for Saar Radio, which included all of Bach’s keyboard music. The performance on these discs was never intended for commercial release, and Gieseking had never played the entire Well-Tempered Clavier in concert – but it has all the hallmarks of his style: rhythmic freedom, a feeling of improvisation (entirely germane to Bach), and a sense of fluidity. ‘His tone is attractive (warmed by a little pedal) and subtly nuanced, his phrasing is musicianly, he gives the fugues (often long, in this book) control and cohesion; there is gentleness in the E flat major Prelude and lightness in that in G major; and stylistically there are some informed features – double-dotting in the F sharp major Fugue, inegale treatment of the quaver pairs in the D major Prelude.’ Gramophone, November 1990 New booklet note.