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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BACH, HANDEL, TELEMANN, VIVALDI, Ray Still
A Chicago Legend - Baroque Oboe Sonatas
- 1. Sonata in G Minor: Andante 8:20
- 2. Sonata in G Minor: Largo E Dolce 4:17
- 3. Sonata in G Minor: Presto - Allegro 6:09
- 4. Sonata No. 1 in C Minor: Adagio 1:51
- 5. Sonata No. 1 in C Minor: Allegro 1:46
- 6. Sonata No. 1 in C Minor: Adagio 1:44
- 7. Sonata No. 1 in C Minor: Allegro 1:06
- 8. Sonata No. 2 in G Minor: Larghetto 1:59
- 9. Sonata No. 2 in G Minor: Allegro 1:51
- 10. Sonata No. 2 in G Minor: Adagio 0:42
- 11. Sonata No. 2 in G Minor: Allegro 1:59
- 12. Partita II: Siciliana 1:27
- 13. Partita II: Allegro 1:20
- 14. Partita II: Allegro 1:21
- 15. Partita II: Allegro 1:13
- 16. Partita II: Affettuoso 1:39
- 17. Partita II: Presto 0:57
- 18. Partita II: Tempo Di Menuetto 2:49
- 19. Partita V: Andante 1:12
- 20. Partita V: Vivace 1:28
- 21. Partita V: Presto 1:08
- 22. Partita V: Vivace 0:55
- 23. Partita V: Siciliana 1:33
- 24. Partita V: Vivace 1:13
- 25. Partita V: Presto 0:50
- 26. Partita VI: Affettuoso 1:54
- 27. Partita VI: Presto 0:59
- 28. Partita VI: Vivace 1:32
- 29. Partita VI: Tempo Di Ciaconna 1:50
- 30. Partita VI: Allegro 0:58
- 31. Partita VI: Allegro 1:24
- 32. Partita VI: Tempo Di Minuet 2:46
- 33. Sonata No. 6 in G Minor: Vivace 1:30
- 34. Sonata No. 6 in G Minor: Allabreve - Fuga Da Capella 2:00
- 35. Sonata No. 6 in G Minor: Largo 1:19
- 36. Sonata No. 6 in G Minor: Allegro, Ma Non Presto 3:27
- Ray Still - oboe
- BACH
- HANDEL
- TELEMANN
- VIVALDI
"Still’s style of oboe playing had elements of both the more relaxed European style and the more controlled American style, with the singing tone he admired in de Busscher, Labate, and Bloom. For example, one of his students, Michael Rosenberg, has played in German orchestras, where the American style is not popular. The American style came primarily from Marcel Tabuteau; Still said that up to the early 1970s, he was the only principal oboist in a major US orchestra who had not studied with him. He was most flattered when reviewers compared him to great singers, as a reviewer in London did when he played oboe concerti with the Academy of London in 1985, or to great jazz musicians, as a reviewer did in a review of his recording of the Bach Wedding Cantata."