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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

BACH, HANDEL, TELEMANN, VIVALDI, Ray Still

A Chicago Legend - Baroque Oboe Sonatas

Utwory
Wykonawcy
Twórcy

1. Sonata in G Minor: Andante 8:20
2. Sonata in G Minor: Largo E Dolce 4:17
3. Sonata in G Minor: Presto - Allegro 6:09
4. Sonata No. 1 in C Minor: Adagio 1:51
5. Sonata No. 1 in C Minor: Allegro 1:46
6. Sonata No. 1 in C Minor: Adagio 1:44
7. Sonata No. 1 in C Minor: Allegro 1:06
8. Sonata No. 2 in G Minor: Larghetto 1:59
9. Sonata No. 2 in G Minor: Allegro 1:51
10. Sonata No. 2 in G Minor: Adagio 0:42
11. Sonata No. 2 in G Minor: Allegro 1:59
12. Partita II: Siciliana 1:27
13. Partita II: Allegro 1:20
14. Partita II: Allegro 1:21
15. Partita II: Allegro 1:13
16. Partita II: Affettuoso 1:39
17. Partita II: Presto 0:57
18. Partita II: Tempo Di Menuetto 2:49
19. Partita V: Andante 1:12
20. Partita V: Vivace 1:28
21. Partita V: Presto 1:08
22. Partita V: Vivace 0:55
23. Partita V: Siciliana 1:33
24. Partita V: Vivace 1:13
25. Partita V: Presto 0:50
26. Partita VI: Affettuoso 1:54
27. Partita VI: Presto 0:59
28. Partita VI: Vivace 1:32
29. Partita VI: Tempo Di Ciaconna 1:50
30. Partita VI: Allegro 0:58
31. Partita VI: Allegro 1:24
32. Partita VI: Tempo Di Minuet 2:46
33. Sonata No. 6 in G Minor: Vivace 1:30
34. Sonata No. 6 in G Minor: Allabreve - Fuga Da Capella 2:00
35. Sonata No. 6 in G Minor: Largo 1:19
36. Sonata No. 6 in G Minor: Allegro, Ma Non Presto 3:27

Ray Still - oboe

BACH
HANDEL
TELEMANN
VIVALDI

Produkt w tej chwili niedostępny.

"Still’s style of oboe playing had elements of both the more relaxed European style and the more controlled American style, with the singing tone he admired in de Busscher, Labate, and Bloom. For example, one of his students, Michael Rosenberg, has played in German orchestras, where the American style is not popular. The American style came primarily from Marcel Tabuteau; Still said that up to the early 1970s, he was the only principal oboist in a major US orchestra who had not studied with him. He was most flattered when reviewers compared him to great singers, as a reviewer in London did when he played oboe concerti with the Academy of London in 1985, or to great jazz musicians, as a reviewer did in a review of his recording of the Bach Wedding Cantata."