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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BACH, Daniel Shafran
6 Suites for Unaccompanied Cello
- Daniel Shafran - cello
- BACH
Shafran’s interpretation of Bach’s cello suites is marked by his original approach to the music of the great composer, his bold and novel rendition. The musician is a stranger to retrospection, false adherence to tradition and museum-like restoration of Bach’s music as well as to its unwarrant-ed modernization. Skillfully making use of the rich expressive potentialities of the cello, of subtle shades of bow “touche” and vibrato technique and dynamizing the dance element of the pieces, he utilized diverse strokes and accentuation, ranging from well nigh indistinguishable emphasis to sharp and forceful bowing. Shafran seems to translate the logical language of Bach’s music into the language of our time. In the cellist’s rendi-tion we hear not the Bach of the clavichord and thorough-bass period but Bach as read by a contemporary musician. And listening to Shafran’s playing we perceive these works as music full of life and fervency. I. Yampolsky (Liner notes) RECORDING INFORMATION Recorded in 1970(Suite No.1) 1973 (Suite No.2, 5) 1969 (Suite No.3) 1974 (Suite No.4, 6) Sound engineers– David Gaklin (Suite No.1, 3), Yuri Kokzhayan (Suite No. 2, 4, 5, 6) Remastering–Maxim Pilipov
