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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

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ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

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BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

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Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

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Muzyczne Menu

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KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia

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DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World

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Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue

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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes

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Henry Mancini and his Orchestra
Pink Panther / Peter Gunn

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Chet Atkins
In Hollywood - The most popular guitar

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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade

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Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

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Encores Vol. 2

SCHUBERT, Kun-Woo Paik
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Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

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BACH, Daniel Shafran

6 Suites for Unaccompanied Cello

Utwory
Wykonawcy
Twórcy

Johann Sebastian Bach Six Suites for Solo Cello, BWV1007-1012 Side 1 Cello Suite No. 1 G major, BWV1007 1. I. Prélude 2.37 2. II. Allemande 5.14 3. III Courante 2.26 4. IV. Sarabande 3.47 5. V.Menuett1, 2 3.01 6. VI. Gigue 1.45 Side 2 Cello Suite No.2 D minor, BWV1008 1. I. Prélude 4.20 2. II. Allemande 4.26 3. III. Courante 2.11 4. IV. Sarabande 6.35 Side 3 1. V. Menuett1, 2 3.20 2. VI. Gigue 2.48 Cello Suite No.3 C major, BWV1009 3. I. Prélude 4.06 4. II. Allemande 3.30 5. III. Courante 3.02 Side 4 1. IV. Sarabande 5.09 2. V. Bourrée1, 2 3.36 3. VI. Gigue 2.46 Cello Suite No.4 E-flat major, BWV1010 4. I. Prélude 4.47 5. II. Allemande 4.01 Side 5 1. III. Courante 4.38 2. IV. Sarabande 5.23 3. V. Bourrée1, 2 5.43 4. VI. Gigue 2.34 Side 6 Cello Suite No.5 C minor, BWV1011 1. I. Prélude 8.02 2.II. Allemande 7.15 3. III. Courante 2.15 4. IV. Sarabande 3.48 SIde 7 1. V. Gavotte 1, 2 5.04 2. VI. Gigue 3.13 Cello Suite No.6 D major, BWV1012 3. I. Prélude 4.55 4. II. Allemande 5.46 Side 8 1. III.Courante 3.28 2. IV. Sarabande 3.40 3. V. Gavotte 1, 2 4.01 4. VI. Gigue 4.0

Daniel Shafran - cello

BACH

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Shafran’s interpretation of Bach’s cello suites is marked by his original approach to the music of the great composer, his bold and novel rendition. The musician is a stranger to retrospection, false adherence to tradition and museum-like restoration of Bach’s music as well as to its unwarrant-ed modernization. Skillfully making use of the rich expressive potentialities of the cello, of subtle shades of bow “touche” and vibrato technique and dynamizing the dance element of the pieces, he utilized diverse strokes and accentuation, ranging from well nigh indistinguishable emphasis to sharp and forceful bowing. Shafran seems to translate the logical language of Bach’s music into the language of our time. In the cellist’s rendi-tion we hear not the Bach of the clavichord and thorough-bass period but Bach as read by a contemporary musician. And listening to Shafran’s playing we perceive these works as music full of life and fervency. I. Yampolsky (Liner notes) RECORDING INFORMATION Recorded in 1970(Suite No.1) 1973 (Suite No.2, 5) 1969 (Suite No.3) 1974 (Suite No.4, 6) Sound engineers– David Gaklin (Suite No.1, 3), Yuri Kokzhayan (Suite No. 2, 4, 5, 6) Remastering–Maxim Pilipov

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