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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz At The Pawnshop vol. 2
ZamknijGaleria okładek
- Arne Domnerus - alto saxophone
- Bengt Hallberg - piano
- Georg Riedel - bass
- Egil Johansen - drums
79.00 PLN
CD:
Nr kat.: PRCD9044Label : Prophone Records
129.00 PLN
SACD Multi-CH:
Nr kat.: PRSACD7079Label : Proprius (Szwecja)
Jeden ze znanych amerykańskich recenzentów jazzowych, publikujący w stołeczne prasie napisał najkrótszą recenzję tej płyty: "The Best Jazz Recording of the Century"! I TAK JUŻ ZOSTAŁO. Historia nagrania płyty to wręcz scenariusz filmu. Oprócz niespotykanej nigdzie indziej radości ze wspólnego muzykowania - realizatorom udało się uzyskać nieprawdopodobną jakość techniczną dźwięku. Coś wspaniałego! (i ma kontynuacje! Także cz. 3!) ...Today (1992) in my fifties, I can look back on over thirty years in the recording business, and I am thus also able to survey my whole career in a certain perspective. I recognize my quest for that tight and harmonious sound of those early records in my childhood. Maybe they have been there in my sub-conscience all the time, directing me in my ”sound pictures” in a way that makes musicians feel comfortable. After years in multi-track studios with all their over-emphasis on the very latest technology, such as overdubbing and that painstaking splicing that nearly made me a legend, I simply, in the mid-seventies, withdrew to only two Neumann U47 microphones and a Nagra stereo recorder. For several years I recorded only folk music all over Scandinavia and – once – even in India! These recording activities have given me invaluable experiences of exposure to living sound in full dimensional stereo. I started to challenge myself in trying to focus the microphones so close to the music that I could catch the same recorded sound that I remembered from the old records. I said to myself; if they could do it over 60 years ago with just one single microphone it must be possible for us with our utterly sophisticated technology also... (Gert Palmcrantz, Recording Engineer)
