Ta strona wykorzystuje mechanizm ciasteczek (cookies) do poprawnego działania. Więcej informacji na stronie Polityka Prywatności. Zamknij.

Logowanie

Arne Domnerus, Bengt Hallberg, Lars Erstrand

Jazz At The Pawnshop

Jazz At The Pawnshop  image
Galeria okładek

ZamknijGaleria okładek

ZAWARTOŚĆ PODWÓJNEGO ALBUMU UHQ edycja numeroweana: 1 Introduction 0:38 2 Limehouse Blue (Philip Braham-D.Furber) 9:35 3 I'm Confessin" (Neiburg-Dougherty-Reynolds) 8:07 4 High Life (African Folk Melody, arr.:Bernt Egerbladh) 6:53 Repise (cut) 02:44 5 Struttin'with Some Barbeque (Louis Armstrong) 6:36 6 Jeep's Blues (Duke Ellington-Hodges) 6:47 7 Stuffy (Hawkins) 7:04 No. Volume II 1 Lady Be Good (Gershwin) 9:12 2 Here Is That Rainy Day (van Heusen-Burke) 5:20 3 Barbados (Charlie Parker) 8:07 4 How High The Moon (Hamiton-Janes-Dennis) 6:13 5 Take Five (Paul Desmond) 6:57 6 Everything Happens To Me (Warren-James-Dennis) 5:17 7 Epiloque
  • ZAWARTOŚĆ WYDANIA JEDNOPŁYTOWEGO:
  • Domnerus-Hallberg-Erstrand-Riedel-Johannsen - Jazz At The Pawnshop vol. 1
  • 01. Limehouse Blues (10:13) >>> MP3 <<<
  • 02. I'm Confessin' (8:02) >>> MP3<<<
  • 03. High Life (7:11) >>> MP3 <<<
  • 04. Jeeps Blues (7:04) >>> MP3 <<<
  • 05. Lady Be Good (9:19) >>> MP3 <<<
  • 06. Take Five (6:57)
  • 07. Everything Happens To Me (5:16)
  • 08. Barbados (8:18)
  • 09. Stuffy (7:05)
  • EDYCJA UltraHD: Volume 1 1. Introduction 2. Limehouse blues 3. I'm confessin' 4. High life 5. Struttin' with some barbeque 6. Jeep's blues 7. Stuffy Volume 2 1. Lady be good 2. Here's that rainy day 3. Barbados 4. How high the moon 5. Take five 6. Everything happens to me Volume 3 1. Introduction 2. Over the Rainbow 3. Now’s the Time 4. Out of Nowhere 5. In a Mellow Tone 6. Take the “A”Train 7. Jeepers Creepers DVD Interviews
    • Arne Domnerus - alto saxophone
    • Bengt Hallberg - piano
    • Lars Erstrand - vibes
    • Georg Riedel - bass
    • Egil Johansen - drums
    Add to Basket

    329.00 PLN

    2 Ultimate HQCD:

    Nr kat.: AN2503UHQ
    Label  : Audio Nautes
    Nośnik w tej chwili niedostępny.

    2 SACD Multi-CH:

    Nr kat.: FIMSACDM034
    Label  : FIM
    Nośnik w tej chwili niedostępny.

    3 UltraHD+DVD:

    Nr kat.: LIMUHD071
    Label  : FIM

    Najbardziej audiofilska płyta jazzowa minionego stulecia!

    All About Ultimate High Quality CD (UHQCD): Many years have passed since the birth of the Audio Compact Disc (CD) back in 1982. By use of High-Quality materials and a totally different manufacturing method, the definitive version of audiophile audio CD was born. Playable on any CD player, the Ultimate High Quality CD greatly surpasses all previous CDs before it! The Ultimate High Quality CD (UHQCD): UHQCD is a radical change to the CD manufacturing process itself. The conventional wisdom about CD manufacturing, which had remained largely unchanged across the world for over 30 years, has been exhaustively questioned. Through this effort, the ultimate in quality was attained - a level of quality that is certainly impossible to achieve with existing CD discs. The Ultimate High Quality CD was developed through an effort to improve audio quality by simply upgrading the materials used in ordinary CDs to higher quality materials. For the substrate a high-transparency and high-fluidity polycarbonate (a type of plastic) of the type used for LCD panels was used, while for the reflective layer, low-cost, common aluminum was replaced with a unique and expensive alloy of high-reflectivity. Differences in manufacturing methods: Conventional CDs are produced using the technique of injection molding to form "pits" of data on polycarbonate material. Metal plate on which "pits" representing audio source data are formed is used as a die. This is called the "stamper." Polycarbonate is melted at high temperature and poured into the die to duplicate the pit patterns on the stamper. This method is efficient because it enables high-speed production, but it does not enable totally accurate or complete duplication of the pits on the stamper. As a melted plastic, polycarbonate is inevitably viscous, so it cannot penetrate completely into every land and groove of the tiny pits of the stamper. The Ultimate High Quality CD photopolymer is used instead of polycarbonate to replicate the pits of the stamper. In their normal state, photopolymers are liquids, but one of their characteristic properties is that they harden when exposed to light of certain wavelengths. The advantage of this property, perfect replication of very finely detailed pits was achieved. Photopolymers in the liquid state are able to penetrate into the tiniest corners of pits on the stamper so that the pattern of the pits is reproduced to an extremely high level of accuracy. The Ultimate High Quality CD reproduces audio with greater precision and at a level that is impossible to achieve using conventional CD production technology! Jeden ze znanych amerykańskich recenzentów jazzowych, publikujący w stołecznej prasie napisał najkrótszą recenzję tej płyty: "The Best Jazz Recording of the Century"! i TAK JUŻ ZOSTAŁO. Historia nagrania płyty to wręcz scenariusz filmu. Oprócz niespotykanej nigdzie indziej radości ze wspólnego muzykowania - realizatorom udało się uzyskać nieprawdopodobną jakość techniczną dźwięku. Best of the Year 1997 - Audiophile Best of the Month - Stereoplay Nagranie to jest najczęściej w dziejach fonografii wydawane na najwyższych formatach, podawane za wzór płytowego high-endu we wszelkich jego formach i postaciach. Tylko w wytwórni FIM opublikowano pięć edycji tego materiału. Piątą - właśnie Państwo mogą poznać. To wersja UltraHD. Mastering na poziomie 32 BIT!!! Niezwykle elitarna półka, na której znajdą Państwo ledwie kilkanaście, może ponad dwadzieścia tytułów. Co więcej - ta edycja zawiera cały materiał zarejestrowany podczas legendarnych sesji w sztokholmskim klubie. Otrzymują więc Państwo TRZY płyty oraz DVD z wywiadem i szczegółami dotyczącymi sesji nagraniowej, zorganizowanej przez Lars Erstranda und Georg'a Riedela. 1


    Płyta UltraHD do odtworzenia w każdym typie czytnika z gwarancją doznań, jakich nigdy nie zapewni zwykła płyta CD.
    • Ultra HD Mastering
    • Beautifully packaged
    • Playable on ALL CD Players!


    Ultra High Definition 32-Bit Mastering!
    Ultra High Definition 32-Bit Mastering is a proprietary ultra-high-quality mastering system. This leading-edge system has achieved unprecedented sonority and musicality, reproducing as closely as possible the sound of the original master tape! This format employs what is currently the highest attainable resolution bit depth (word length) in the professional audio field, i.e. 32-bit. 32-bit resolution makes possible maximized, undistorted dynamics, and the lowest noise floor, allowing even the quietest musical information to be heard more clearly. This breakthrough results from the development, through years of experience and application of advanced digital technology, of a sophisticated A/D and D/A processing system. Ultra HD 32-Bit Mastering does not specify a sampling rate; this allows flexibility in meticulously choosing the appropriate bandwidth for a particular recording. The higher the sampling rate -- for example, 192 kHz -- the greater the bandwidth. However, merely employing the greatest bandwidth may not guarantee the ultimate sound. With some recordings, a lower sampling rate -- 96 or 176 kHz -- may offer better musicality and more homogeneous harmonics. This determination requires careful and discerning auditioning and professional judgment. In the end, the human being’s hearing and emotions should be the final arbiter, rather than the print-out of testing equipment or technical measurements. Recognizing these variables, FIM nevertheless tries to use 32-bit depth and 192 kHz bandwidth whenever the original analog master is at hand. Alternatively, if the original recording is on 24/96, the 32/96 may eventually be used to maintain the integrity of the sonority particular to that recording. With this flexibility, First Impression Music believes that preeminent sound is only achievable when the chemistry of the recording, mastering, glass-stamper making, replication, and quality control is right. As always, listening is believing. This recording has been mastered by the new Ultra High Definition 32-Bit Mastering process, which creates an unbelievable sound surpassing other formats!

     

    Razem z tą płytą inni Melomani kupowali: