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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Wes Montgomery
Fingerpickin'
- Wes Montgomery - guitar
49.00 (59.00) PLN
CD:
Nr kat.: CDP724383798728Label : Pacific Jazz
AllMusic Review by Rovi Staff Both historically important and highly entertaining, Fingerpickin' serves up ten recordings from before Wes Montgomery officially burst onto the scene as a leader with his Prestige albums. The core ensemble will be familiar to anyone who's heard the Montgomery Brothers' Groove Yard album; Buddy and Monk Montgomery are the leaders here, on vibes and bass, respectively, with Buddy contributing four originals. The material was cut on the West Coast in 1957, while Wes was still holding down his day job in Indianapolis and gigging six nights a week on the home front. The guitarist gets to solo, but the ensemble sound revolves around the solid bop of the three-horn front line on the first four tunes, and his brother's vibes on the ballads and the final three selections (from the musical Kismet). Wes cuts loose on the title track, and while his dry, elastic tone is somewhat different from his sound on the Riverside records, his chops are all here -- the octaves, the block chords, and the dizzying lines. Fingerpickin' is a fascinating trip to the source.