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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Zagraj to jeszcze raz!
WAGNER, Birgit Nilsson, Hans Hotter, Philharmonia Orchestra, Leopold Ludwig
Opera Arias and Duets
- 1. Tannhauser, opera, WWV 70: Act II Dich, teure Halle, grua ich wieder (Elisabeth's Greeting) (5:13)
- 2. Der fliegende Hollander (The Flying Dutchman), opera, WWV 63: Act II Johohoe! Johohoe! (Senta's Ball (8:25)
- 3. Der fliegende Hollander (The Flying Dutchman), opera, WWV 63: Act II Wie aus der Ferne (15:41)
- 4. Lohengrin, opera, WWV 75: Act I Einsam in truben Tagen (Elsa's Dream) (6:00)
- 5. Die Walkure (The Valkyrie), opera, WWV 86b: Act III War es so schmahlich (13:23) 11/16/1957-11/19/1957
- 6. Die Walkure (The Valkyrie), opera, WWV 86b: Act III Deinen leichten Sinn laa dich denn leiten (4:06)
- 7. Die Walkure (The Valkyrie), opera, WWV 86b: Act III Du zeugtest ein edles Geschlecht (5:56)
- 8. Die Walkure (The Valkyrie), opera, WWV 86b: Act III Leb wohl, du kuhnes, herrliches Kind! (Wotan's F (10:56)
- 9. Die Walkure (The Valkyrie), opera, WWV 86b: Act III Loge, hor! Lausche hieher! (Magic Fire Music) (4:36)
- Birgit Nilsson - soprano
- Hans Hotter - tenor
- Philharmonia Orchestra - orchestra
- Leopold Ludwig - conductor
- WAGNER
59.00 PLN
CD:
Nr kat.: SBT1201Label : Testament (UK)
These highlights from Wagner's operas were recorded in 1957, just as Birgit Nilsson was becoming the world's leading Wagnerian soprano and Hans Hotter was still holding fast to the title of world's leading Wagnerian bass-baritone. What we get is remarkable indeed: Nilsson is utterly secure in all of the bigger moments of every selection and learning to scale back her immense sound for the more tender moments of each, while Hotter is in wonderfully fresh voice. He begins the Dutchman's "Wie aus die ferne" at a truly neurotic whisper and he captures the character's obsessiveness with sound and phrasing throughout. Nilsson's Senta is involved and thoroughly trusting. The long, final scene from Walküre turns out to be a treasure, with each singer at his (her) best: Nilsson grows in stature as her pleas to Wotan become more desperate, with the voice alternately gleaming and urgent, while Hotter's Wotan reaches heights of emotional pain that are almost unbearable. This is a lesson in great Wagner singing and great acting--and it's a must have. Leopold Ludwig's leadership is both strong and sympathetic and Walter Legge's Philharmonia Orchestra (and recording!) do the singers and music proud. This CD is a privilege to hear. [11/18/2000] - Robert Levine, ClassicsToday.com
