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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
VIVALDI, DE GUARNIERI, Ensemble Respighi, Federico Ferri
Le Quattro Stagioni / Stagioni
- Ensemble Respighi
- Federico Ferri - conductor
- VIVALDI
- DE GUARNIERI
59.00 PLN
CD:
Nr kat.: TC672244Label : TACTUS (Italy)
Ensemble Respighi
Federico Ferri
Marco Rogliano (violin)
Recorded: November 2003
Recording Venue: Teatro Comunale Politeama, S. Giovanni in Persiceto, Bologna, Italia
Of the twelve concertos of the Cimento dell’Armonia e dell’Invenzione op. VIII, published in Amsterdam in 1725 but probably composed around 1720, the Seasons are the first four and ever since the eighteenth century have been the most celebrated ones. We know little of their origin and the circumstances that led Vivaldi to link the music of each season to the verses of a sonnet printed at the beginning and repeated verse by verse inside the score, with detailed references. Nor do we know the identity of the anonymous author of the four sonnets which, given their modest lack of precision and their close relationship with the music, may even have been written by the composer himself.
A chance event - a request from Venice's Accademia di San Rocco - was what initially encouraged Adriano Guarnieri in 2002 to undertake Spring, which then became the starting point for Seasons, the beginning of a journey in which the relationship with Vivaldi is gradually transformed in the direction of a growing autonomy. We could call it a journey from the rethinking of Vivaldi to Guarnieri.