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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
VILLA-LOBOS, Andres Diaz, Simon Bolivar Symphony Orchestra of Venezuela, Enrique Arturo Diemecke
Symphony no. 4 'Victoria' / Cello Concerto no. 2 / Amazonas
- Andres Diaz - cello
- Simon Bolivar Symphony Orchestra of Venezuela - orchestra
- Enrique Arturo Diemecke - conductor
- VILLA-LOBOS
59.00 PLN
CD:
Nr kat.: DOR-90228Label : DORIAN (USA)
The Dorian disc now departs from Pantheism and gives us the Fourth Symphony Victoria, and the second cello concerto. Villa Lobos, of course, loved the sound of the cello and it is probably through Bachianas Brasileiras No5 for soprano and cellos that his name became known. Forty years separate the two cello concerti, with the second (1953) being contemporary with the other works on the Marco Polo disc above. It is in four movements but of unequal length. Although Villa-Lobos can write quite overwhelming music, he is much more restrained in the cello concerto ? in the orchestral parts that is, as the cellist has a very busy time this being a decidedly virtuoso work. If heard blind I suspect it would be some time before any Latin element was detected but it is there, in the choppy string dance rhythm. The second movement is a beautiful andante which, in shape, is very similar to the aforementioned Bachianas Brasileiras No5, displaying a haunting, yearning melody for cello over a plucked accompaniment. To some extent this carries over into the third movement which has a distinctly Spanish flavour. The movement is short (4:40) but over half its length is taken with an unaccompanied cadenza for the cello which then leads straight into the fourth movement allegro. This effectively gives a balanced concerto in three more or less equal parts. This rather spare work counterbalances the other two on the disc. more: https://www.musicweb-international.com/classrev/feb99/villa.htm
