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VILLA-LOBOS, Andres Diaz, Simon Bolivar Symphony Orchestra of Venezuela, Enrique Arturo Diemecke

Symphony no. 4 'Victoria' / Cello Concerto no. 2 / Amazonas

Andrés Díaz - Symphony no. 4 ?Victoria? / Cello Concerto no. 2 / Amazonas 01. Symphony no. 4 Victoria: I. Allegro impetuoso (7:12) 02. Symphony no. 4 Victoria: II. Andantino (5:46) 03. Symphony no. 4 Victoria: III. Andante (6:17) 04. Symphony no. 4 Victoria: IV. Lento ? Allegro (11:41) 05. Cello Concerto no. 2: I. Allegro non troppo (8:33) 06. Cello Concerto no. 2: II. Molto andante cantabile (6:39) 07. Cello Concerto no. 2: III. Scherzo: Vivace (4:40) 08. Cello Concerto no. 2: IV. Allegro energico (3:42) 09. Amazonas (ballet) (11:34)
  • Andres Diaz - cello
  • Simon Bolivar Symphony Orchestra of Venezuela - orchestra
  • Enrique Arturo Diemecke - conductor
  • VILLA-LOBOS
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59.00 PLN

CD:

Nr kat.: DOR-90228
Label  : DORIAN (USA)

The Dorian disc now departs from Pantheism and gives us the Fourth Symphony Victoria, and the second cello concerto. Villa Lobos, of course, loved the sound of the cello and it is probably through Bachianas Brasileiras No5 for soprano and cellos that his name became known. Forty years separate the two cello concerti, with the second (1953) being contemporary with the other works on the Marco Polo disc above. It is in four movements but of unequal length. Although Villa-Lobos can write quite overwhelming music, he is much more restrained in the cello concerto ? in the orchestral parts that is, as the cellist has a very busy time this being a decidedly virtuoso work. If heard blind I suspect it would be some time before any Latin element was detected but it is there, in the choppy string dance rhythm. The second movement is a beautiful andante which, in shape, is very similar to the aforementioned Bachianas Brasileiras No5, displaying a haunting, yearning melody for cello over a plucked accompaniment. To some extent this carries over into the third movement which has a distinctly Spanish flavour. The movement is short (4:40) but over half its length is taken with an unaccompanied cadenza for the cello which then leads straight into the fourth movement allegro. This effectively gives a balanced concerto in three more or less equal parts. This rather spare work counterbalances the other two on the disc. more: https://www.musicweb-international.com/classrev/feb99/villa.htm

 

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