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VERDELOT, Catherine King, Jacob Heringman

The Complete Madrigal Book of 1536 - A Renaissance Songbook

  • Catherine King, Charles Daniels and Jacob Heringman - A Renaissance Song Book - Philippe Verdelot : The Complete Madrigal Book of 1536
  • 01. Quanto sia lieto il giorno (2:58)
  • 02. Quando amor i begli occhi (1:53)
  • 03. Donna leggiadr' et bella (7:17)
  • 04. Madonna, qual certezza(inst) (3:07)
  • 05. Madonna, qual certezza (2:49)
  • 06. Con lagrime et sospir (1:40)
  • 07. Fuggi, fuggi, cor mio (1:22)
  • 08. Dormend'un giorno a Baia(inst) (4:17)
  • 09. Igno soave (2:21)
  • 10. Amor se d'hor in hor (1:24)
  • 11. Donna che sete tra le belle bella (4:30)
  • 12. Se mai provasti donna (1:51)
  • 13. Con lagrime et sospir(inst) (1:59)
  • 14. Afflitti spirti mei (2:11)
  • 15. Ben che'l misero cor (2:08)
  • 16. Madonna il tuo bel viso (2:48)
  • 17. Divini occhi sereni (1:36)
  • 18. Se lieta e grata morte (3:21)
  • 19. Vita de la mia vita(inst) (3:35)
  • 20. Vita de la mia vita (1:51)
  • 21. Gloriar mi poss'io donne (2:18)
  • 22. Gloriar mi poss'io donne(inst) (0:45)
  • 23. Piove da gli occhi della donna mia (1:08)
  • 24. Con l'angelico riso (1:53)
  • 25. S'io pensasse madonna (2:20)
  • 26. Madonna io sol vorrei (1:35)
  • 27. Madonna per voi ardo(inst) (2:53)
  • 28. Madonna per voi ardo (2:04)
  • Catherine King - soprano
  • Jacob Heringman - lute
  • VERDELOT

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John Dowland may be the most famous exponent of the lute song from these shores, but when it comes to composers whose brilliance has been lost in the midst of time, then Italian Phillipe Verdelot is one such name. Verdelot was arguably the first master of the Florentine madrigal, and his entire collection from 1536 is sung in all its beauty in this recording. Jacob Heringman excels on the lute, while tenor Charles Daniels demonstrates superior vocal dexterity. But above all soprano Catherine King's velvety voice strokes and caresses every musical phrase with a beauty which takes your breath away. Sunday Herald