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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
TURINA, The Nash Ensemble
Chamber Music
Piano Quartet in A minor Op 67[16'15]
1 Lento – Andante mosso[5'49]
2 Vivo[3'30]
3 Andante – Allegretto[6'56]
Violin Sonata No 2 in G major 'Sonata espagnola' Op 82[15'01]
4 Lento – Tema – Variations 1-3 – Andante[7'26]
5 Vivo[2'20]
6 Adagio – Allegro moderato[5'15]
Escena andaluza Op 7[12'14]
7 Crépuscule du soir: Allegretto mosso – Serenata: Allegro[6'18]
8 À la fenêtre: Andantino mosso[5'56]
Piano Trio No 1 Op 35[20'49]
9 Lento – Fugue (à l'inverse) – Allegro moderato[6'48]
10 Thème et Variations 1-5[7'29]
11 Sonate: Allegro[6'32]
12 La oración del torero Op 34[7'53]
- The Nash Ensemble
- TURINA
The colourful folk melodies and rhythms of Spain knit seamlessly with twentieth-century French compositional sophistication in Joaquín Turina’s chamber works. Born in Seville, Andalucia, the young composer went to study in Paris in 1905, where he was greatly attracted to the forward-looking style of the likes of Debussy—however, his musical course was altered when he encountered countrymen Falla and Albéniz, who encouraged him to write in a style that fully embraced his Andalucian musical heritage. Later in life the composer himself explained ‘my music is the expression of the feeling of a true Sevillian who did not know Seville until he left it’. The acclaimed Nash Ensemble here demonstrate what a satisfying artistic homecoming he made.