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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
The Vienna Glass Armonica Duo
Glass & Stones - A concert with Glass Armonica & Verrophone
- Gottfried Keller (1819-1890, Text)
- Carl Röllig (1754-1804, Musik)
- 1. In einer Mondnacht in Luzern
- Siciliano für die Glasharmonika
- Stimme: Peter Uray
- Wolfgang Amadeus Mozart (1756-1791)
- 2. Menuett aus dem Divertiment Nr. 9, KV 240*
- Gerald Schönfeldinger (geb. 1960)
- 3. Requiem
- Antonio Vivaldi (1678-1741)
- 4. Der Winter, Largo*
- Wolfgang Amadeus Mozart
- 5. Ein deutscher Tanz, KV 567*
- Wolfgang Amadeus Mozart
- 6. Adagio für Glasharmonika in C-Dur, KV 617a
- Edward Grieg (1843-1907)
- 7. Smartrold ~ Der Kobold*
- Gerald Schönfeldinger
- 8. Das Tor zur Seele
- Arvo Pärt (geb. 1935)
- 9. Pari Intervallo
- Ennio Morricone (geb. 1928)
- 10. Il Gatto*
- Gerald Schönfeldinger
- 11. Wesenlos ~ eine Klangverklärung
- Stimme: Oscar Werner
- --------------------------
- * arranged for Verrophone und Glass Armonica
- by Christa & Gerald Schönfeldinger
- -------------
- The Vienna Glass Armonica Duo
79.00 PLN
CD:
Nr kat.: KUK58Label : K&K Verlagsanstalt
A concert with the Vienna Glass Armonica Duo (Glass Armonica & Verrophone), Christa Schönfeldinger (Glass Armonica) and Gerald Schönfeldinger (Verrophone) plays works by Antonio Vivaldi (1678-1741), Wolfgang Amadeus Mozart (1756-1791), Gottfried Keller (1819-1890), Carl Röllig (1754-1804), Edward Grieg (1843-1907), Arvo Pärt, Ennio Morricone and Gerald Schönfeldinger They are built of natural stone, these noble halls of this world heritage site. A fascinating thought when you're standing under arches that are hundreds of years old. The stones seem to whisper - because, in the quiet of their existence, you seem to feel how they are imbued with all those voices and instruments that filled these walls with their sounds - violins, the sound of trumpets, the organ and singing' wood and metal. But in the end, isn't it the material of the body that makes the sound of an instrument? It was the sound of the glass armonica that inspired Mozart to write a minuet and, after hearing how his composition sounded on the glass harmonica, Arvo Pärt gave the Ensemble his one-time permission to perform "Pari Intervallo" with the "glass instrument". Even Gottfried Keller described the sound and effect of the instrument as "...then it began to play in the most ghostly tones I have ever heard..." Now, the glass armonica is made of glass - plain old glass - melted sand, nothing more. But this is also the same basic material as these world heritage walls are made of - natural sandstone... And during this concert by these Viennese artists, it was as if I could feel the walls vibrating and I thought I heard the very stones singing. Josef-Stefan Kindler