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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
TELEMANN, Christine Brandes, Musica Pacifica
Chamber Cantatas and Trio Sonatas
- Christine Brandes - soprano
- Musica Pacifica - orchestra
- TELEMANN
69.00 PLN
CD:
Nr kat.: DOR93239Label : DORIAN (USA)
Telemann could be exuberantly grotesque and also almost inhumanly serious. He loved large and brash and sometimes outre instrumental ensembles, and wrote brilliantly for them, but he also wrote copiously for small groups and for amateurs, in the most elegant style. One or two of his cantatas were once pardonably mistaken for Bach, and one or two movements of his orchestral suites might even now be mistaken for a mid-twentieth-century composer in a puckish mood. He is, in short, rather a difficult personality to pin down. The music on this program belongs to the simpler and more straightforward end of the Telemannian spectrum, and all dates from his first fifteen years in the employ of the City of Hamburg, an appointment he held from 1721 until his deatlh in 1767. That position was an arduous one, entailing (among other things) supplying the music of Hamburg's five principal churches. Telemann was responsible for two cantatas each Sunday and feast-day (that is, better than one hundred forty cantatas a year), as well as one Passion setting yearly and music for innumerable civic and occasional functions. - Michelle Dulak