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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
TCHAIKOVSKY, Utah Symphony Orchestra, Maurice Abravanel
Swan Lake - Grand Ballet in Four Actts, op.20
ZamknijGaleria okładek
- Maurice Abravanel - conductor
- Utah Symphony Orchestra - orchestra
- TCHAIKOVSKY
79.00 PLN
2 CD:
Nr kat.: ATM1217Label : Vanguard Classics US
Maurice Abravanel became music director of the Utah Symphony Orchestra in 1947 and over the years built it into an excellent ensemble. It had begun to reach its peak at the time of this recording in 1967. Just compare this beautifully executed effort to a reading of Swan Lake excerpts made for Westminster in the late 1950s and you can see how far the orchestra had come in its development. Despite ample recorded evidence, it sometimes seems that Abravanel is not really given his due. He was particularly excellent in ballet, and his Tchaikovsky recordings, this one included, are among his best. He brings a real sense of the dance to the performance without sacrificing a bit of symphonic drama. Producer Seymour Solomon almost always captured the Utah forces in excellent to superb sonics, and this recording is no exception. It has lots of weight in the tuttis yet exhibits singular clarity too. That’s all the good news. The bad is that this reading contains serious cuts, more than a half hour of them, especially in the third act. Though Dorati conducted a complete recording for Mercury in 1954, cuts used to be the style. Rozhdestvensky’s A-plus, totally complete performance from the late ’60s (promised for re-issue by RCA sometime in the future) reminded us once again, this time in stereo, that the complete work is best for home listening, and now it is hard to accept as a first choice anything with cuts. As a supplement, however, and a first take on many individual dances, I would recommend this performance most enthusiastically, its lower rating due only to its excisions. https://www.classicstoday.com/review/review-4111/