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UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
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Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
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Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
TCHAIKOVSKY, Emil Gilels, Leningrad Philharmonic Orchestra, Orchestra Sinfonica e Coro di Milano della RAI, Fernando Previtali, Kiril Kondrashin
Piano Concerto No. 1 in B flat minor, Op. 23 / Piano Concerto No. 2 in G major, Op. 44
ZamknijGaleria okładek
- Concerto no. 1 in B flat Minor for piano & orchestra op. 23
- 1. Allegro non troppo e molto maestoso 18’ 48”
- 2. Andantino semplice 06’ 12”
- 3. Allegro con fuoco 06’ 13”
- Concerto no. 2 in G major for piano & orchestra op. 44
- 4. Allegro brillant 18’ 58”
- 5. Andante non troppo 07’ 25”
- 6. Allegro con fuoco 07’ 03”
- TT. 64’40”
- Emil Gilels - piano
- Leningrad Philharmonic Orchestra - orchestra
- Orchestra Sinfonica e Coro di Milano della RAI - orchestra
- Fernando Previtali - conductor
- Kiril Kondrashin - conductor
- TCHAIKOVSKY
49.00 PLN
CD:
Nr kat.: IDIS6606Label : Dynamic (Italia)
Emil Gilels (1916-1985) has been a leading light of the extraordinary Russian piano school. He was capable to reach an astonishing bravura performance with amazing exuberance. A very good performer of Beethoven’s sonatas, Gilels was outstanding also in the Russian repertoire. Along with the famous Concert no.1 in B flat minor he often proposed also the less celebrated Concert no.2 in G major. That’s exactly what is featuring our CD with two live recordings from the 1959 Turin and Leningrad performances. In both of them his magnetic force and the power of his music sound interpretation become strongly evident. They’re creating a music document of monumental grandeur and which can be doubtless considered a milestone in the discography of this two compositions.