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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SWEELINCK, Trinity College Choir Cambridge, Richard Marlow
Cantiones Sacrae, Vol. 2
- Trinity College Choir Cambridge - choir
- Richard Marlow - conductor
- SWEELINCK
59.00 PLN
CD:
Nr kat.: CDA67104Label : Hyperion
The last great representative of that fertile 'golden age' of Netherlands polyphonists, Sweelinck merits recognition not only as one of the most prolific and versatile musicians of his time but as one of the leading choral composers of the late Renaissance. The Cantiones Sacrae are Catholic motets, in Latin, for five-part choir with basso continuo; almost all the texts are drawn from the Vulgate and the Roman liturgy. However, the texts are varied—ranging from the desolate and meditative to the exuberant and festive. Within these pieces we hear some of Sweelinck's most interesting and distinctive music. It is hoped that the present recordings will help draw attention to a rich and diverse repertoire that deserves to be far better known. And who could be better equipped to perform it than Trinity College Chapel Choir under the direction of Richard Marlow?