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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
STRAVINSKY, Anthony Marwood, Thomas Ades
Complete Music for Violin and Piano
- Suite d'après des thèmes, fragments et morceaux de Giambatista Pergolesi Igor Stravinsky (1882-1971)
- CD1
- 1 Movement 1: Introductione [2'06]
- 2 Movement 2: Serenata [2'43]
- 3 Movement 3: Tarantella [2'16]
- 4 Movement 4: Gavotta con due variazioni [3'54]
- 5 Movement 5: Minuetto e finale [4'20]
- 6 Pastorale [2'42] Igor Stravinsky (1882-1971)
- Airs du rossignol et Marche chinoise Igor Stravinsky (1882-1971)
- 7 Movement 1: Airs du rossignol [4'19]
- 8 Movement 2: Marche chinoise [3'27]
- Duo concertant Igor Stravinsky (1882-1971)
- 9 Movement 1: Cantilene [2'43]
- 10 Movement 2: Eglogue I [2'17]
- 11 Movement 3: Eglogue II [3'05]
- 12 Movement 4: Gigue [4'21]
- 13 Movement 5: Dithyrambe [2'51]
- CD2
- 1 Berceuse [2'48] Igor Stravinsky (1882-1971)
- 2 Prélude et Ronde des princesses [4'53] Igor Stravinsky (1882-1971)
- 3 Scherzo [2'41] Igor Stravinsky (1882-1971)
- 4 Chanson russe [3'18] Igor Stravinsky (1882-1971)
- Divertimento Igor Stravinsky (1882-1971)
- 5 Movement 1: Sinfonia [6'10]
- 6 Movement 2: Danses suisses [4'22]
- 7 Movement 3: Scherzo [3'01]
- 8 Movement 4a: Pas de deux. Adagio [2'48]
- 9 Movement 4b: Pas de deux. Variation [1'07]
- 10 Movement 4c: Pas de deux. Coda [2'05]
- 11 Danse russe [2'32] Igor Stravinsky (1882-1971)
- 12 Tango [3'39] Igor Stravinsky (1882-1971), arr. Samuel Dushkin (1891-1976)
- 13 Ballade [3'08] Igor Stravinsky (1882-1971)
- Suite italienne Igor Stravinsky (1882-1971)
- 14 Movement 5: Scherzino [1'30]
- 15 La Marseillaise [1'11] Igor Stravinsky (1882-1971) & Claude-Joseph Rouget de Lisle (1760-1836)
- Anthony Marwood - violin
- Thomas Ades - piano
- STRAVINSKY
59.00 PLN
CD:
Nr kat.: CDA67723Label : Hyperion
Stravinsky’s collaboration with the violinist Samuel Dushkin was a great artistic success, generating new works for the repertoire as well as arrangements of some of the composer’s most tuneful and popular works. Of these arrangements, Dushkin wrote that Stravinsky seemed ‘to go back to the essence of the music and rewrite or recreate the music in the spirit of the new instrument’. Reviewing the current performers in The Independent, Bayan Northcott writes that ‘these are no ordinary transcriptions. In reducing items from The Firebird or The Fairy’s Kiss to the violin and piano medium, Stravinsky rethought and respaced their every chord’. In the performing partnership of Anthony Marwood and Thomas Adès, Hyperion has a combination that seems to reignite the original flame of inspiration, creation and re-creation. --------------------------------------- BBC RADIO 3 CD REVIEW DISC OF THE WEEK 'This fabulous two CD-set offers so many pleasures it's hard to know where to begin … Adès handles the finger-twisting difficulties of the Duo Concertant with total aplomb, and has exactly the right incisive, luminous and chaste sound. Marwood, too, has that springy balletic quality always needed in Stravinsky, but he finds a myriad of colours to go with it: sly sentimental in the 'Chanson Russe' from Mavra, tender in the Duo. In all, it's a marvel' (The Daily Telegraph) 'Adès' touch with the piano parts is at once live-wire and beautifully stylish, with Marwood matching this flair for deftly characterised light and shade … The Pulcinella suite and Divertimento from The Fairy's Kiss both scintillate from start to finish … The recorded sound, too, has marvellous presence' (BBC Music Magazine)