Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Sonny Rollins, Jim Hall, Bob Cranshaw, Ben Riley
What's New?
- Sonny Rollins - What's New?
- 01. Don't Stop The Carnival (6:09)
- 02. If Ever I Would Leave You (12:05)
- 03. Brownskin Girl (6:48)
- 04. Bluesongo (4:43)
- 05. The Night Has A Thousand Eyes (9:12)
- 06. Jungoso (10:53)
- Sonny Rollins - saxophone
- Jim Hall - guitar
- Bob Cranshaw - double bass
- Ben Riley - drums
Digitally remastered by Jay Newland (March, 1993, BMG Studios, New York). Includes liner notes by Gene Kalbacher. Recorded almost a year before GETZ/GILBERTO, WHAT'S NEW offers the flip side to that definitive recording of early Sixties bossa nova. Getz and Gilberto carefully distilled their music down to its essentials; the vocal and sense of song came first, and Getz's warm, furry tenor obligatti made the perfect complement to Gilberto's half-talked, half-sung vocals. In contrast, WHAT'S NEW is an extrovert's record. The ensemble on "If Ever I Would Leave You" and "The Night Has A Thousand Eyes" is the same as on Rollins' landmark "pianoless quartet" return to the jazz scene, THE BRIDGE (1961) and guitarist Hall, bassist Cranshaw and drummer Riley all dig in and cook behind their leader. Rollins' tone is muscular, his improvisations expansive and his attack confident, at times bordering on strident. "Jungoso" is essentially a dialogue between the tenorist and percussionist Candido, underpinned by Cranshaw's vamp. The same trio blows through the relaxed "Bluesongo."." Brown Skin Gal" marries Latin percussion to a calypso groove and features six-part vocals framing solos by Rollins and Hall. Sonny Rollins Quartet: Sonny Rollins (tenor saxophone); Jim Hall (guitar); Bob Cranshaw (acoustic bass); Ben Riley (drums).
