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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
SIBELIUS, BEETHOVEN, David Oistrakh, Stockholm Festival Orchestra, Sixten Ehrling
Violin Concertos
- 1. Concerto for Violin in D major, Op. 61 by Ludwig van Beethoven
- Performer: David Oistrakh (Violin)
- Conductor: Sixten Ehrling
- Orchestra/Ensemble: Stockholm Festival Orchestra
- Country of Origin: Vienna, Austria
- Period: Classical
- Written: 1806
- Date of Recording: 6/1954
- 2. Concerto for Violin in D minor, Op. 47 by Jean Sibelius
- Performer: David Oistrakh (Violin)
- Conductor: Sixten Ehrling
- Orchestra/Ensemble: Stockholm Festival Orchestra
- Country of Origin: Finland
- Period: Romantic
- Written: 1903-1905
- Date of Recording: 6/1954
- David Oistrakh - violin
- Stockholm Festival Orchestra - orchestra
- Sixten Ehrling - conductor
- SIBELIUS
- BEETHOVEN
He always demanded of himself (and his students) that musical proficiency, intelligence, and emotion be in balance, regardless of the particular style. Oistrakh felt that a violinist's essence was communicated through clever and subtle use of the bow, and not through overly expressive use of vibrato. To this end he developed a remarkably relaxed, flexible right arm technique, capable of producing the most delicate expressive nuances, but equally capable of generating great volume and projection. (Blair Johnston, allmusic.com)