Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
SHOSTAKOVICH, Andrew Litton, Dallas Symphony Orchestra
Festive Overture / Piano Concerto No. 2 / Symphony No. 5
- Andrew Litton - conductor
- Dallas Symphony Orchestra - orchestra
- SHOSTAKOVICH
89.00 PLN
CD:
Nr kat.: DE3246Label : DELOS (USA)
w technologii Virtual Reality
This release will confirm the excitement by Shostakovich fans, who have been waiting with anticipation since Andrew Litton and the Dallas Symphony?s Delos CD of Shostakovich?s Eighth Symphony debuted a little over two years ago ? that release garnered rave reviews from major press and radio, a highlight being a review on NPR. Maestro Litton again tackles the complexity of Shostakovich with the sure vision and technical brilliance with which he and the Dallas Symphony became synonymous. As an added bonus, Maestro Litton is the piano soloist for the Piano Concerto No. 2. The Fifth Symphony, finished by Shostakovich in 1937, is probably the most frequently performed of his symphonies, and it?s easy to understand why. In it we hear the essence of Shostakovich?s symphonic personality ? it was with the Fifth that he returned to a traditional standard-sized orchestra and four clearly-organized movements, convinced at the time of the need for firm structure in symphonic writing. The Second Piano Concerto showcases a lighter side of Shostakovich: the orchestra is chamber-sized, and the music exhibits a youthful spirit and irrepressible energy. This may be in part because Shostakovich composed this work for his 19-year-old son Maxim, to be performed and conducted by him to secure admission to the Moscow Conservatory. As an added treat, the program is rounded out by the ever-popular Festive Overture, a work well-known for its fanfares, added brass and unrestrained optimism.