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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
SCHUMANN, Andreas Rothkopf
Samtliche Werke fur Pedalflugel / Orgel
- Andreas Rothkopf - organ
- SCHUMANN
49.00 PLN
CD:
Nr kat.: 97411Label : Audite
"His musical conceptions and superb technique combine with scrupulous attention to details of rhythm and agogic accent (very tricky pieces!), fine choice of registrations, and sensitivity for Schumann's wonderful style, to produce an outstanding recorded document." (American Record Guide)
On the occasion of the 200th anniversary of Schumann’s birth audite presents with this re-issue his complete works for pedal piano.
“On 24 April [1845] we received a pedal for our piano on hire, which gave us great pleasure. It was primarily intended for practicing organ playing. But Robert soon developed a greater interest in this instrument and composed some sketches and studies for the pedal piano which will certainly be greeted with enthusiasm as something utterly new”, wrote Clara Schumann in her diary. In May 1845 Schumann finished a first group of works for the pedal piano; he wrote: “To be truthful, I am pretty confident in this instrument and feel that, in time, it might bring new impulses to piano music. Wonderful effects can be made with.” Although this interesting instrumental hybrid was used for example at the Leipzig Conservatory as a practice instrument for organ students, it did not manage to find a permanent place in musical practice.
All works for pedal piano – the „Sketches“ Op. 58, the „Studies“ Op. 56 and the „Six Fugues on the name BACH“ for Organ or Pedal Piano Op. 60 – originate in Schumann’s phase of “fugal passion”, as he himself put it, in 1845. They are characterized by a severe style, which also testifies to Schumann’s profound veneration of Johann Sebastian Bach. On the present CD the works are interpreted on the historic Walcker Organ in Hoffenheim/ Germany.
>>> WYBRANE RECENZJE Z PRASY ŚWIATOWEJ <<<
