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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
SCHUBERT, Josef Krips, The London Symphony Orchestra
Symphony No.9 In C Major
- Josef Krips - conductor
- The London Symphony Orchestra - orchestra
- SCHUBERT
189.00 PLN
SACD Hybr:
Nr kat.: CAPC2045SALabel : Acoustic Sounds
Originally released in 1958, recorded at Kingsway Hall, recording engineer Kenneth Wilkinson. Joseph Krips conducts The London Symphony Orchestra. The 1978 Penguin Guide to LPs wrote, "Josef Krips never made a finer record than this ... The performance itself has a direct, unforced spontaneity, which shows Krips' natural feeling for Schubertian lyricism at its most engaging. The playing is polished yet flexible, strong without ever sounding aggressive. In the two final movements Krips finds an airy exhilaration which makes one wonder however other conductors can keep the music earthbound as they do. The pointing of the trio in the scherzo is delectable, and the feathery lightness of the triplets in the finale makes one positively welcome every single one of its many repetitions. As a whole this reading represents the Viennese tradition at its very finest." This is one of the most respected and revered performances of Schubert's "Great" Symphony because of its combination of Krips' passion and classicism.
