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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SCARLATTI, HASSE, The King's Consort, Robert King
Salve regina, Cantatas and Motets
- Salve regina in A major Domenico Scarlatti (1685-1757)
- 1 Movement 1: Salve regina, mater misericordiae [2'14]
- 2 Movement 2: Ad te clamamus exsules, filii Hevae [4'22]
- 3 Movement 3: Nobis post hoc exsilium ostende [2'34]
- 4 Movement 4: O clemens, o pia [3'51]
- Su le sponde del Tebro Alessandro Scarlatti (1660-1725)
- 5 Movement 1: Sinfonia [1'39]
- 6 Movement 2. Recitativo: Su le sponde del Tebro [1'07]
- 7 Movement 3. Sinfonia – Aria: Contentatevi, o fidi pensieri [3'12]
- 8 Movement 4. Recitativo: Mesto, stanco, e spirante dal duol' che l'opprimea [0'47]
- 9 Movement 5. Largo: Infelici miei lumi [3'20]
- 10 Movement 6. Aria: Dite almeno, astri crudeli [2'44]
- 11 Movement 7. Recitativo: All' aura, al cielo, ai venti [0'57]
- 12 Movement 8. Aria: Tralascia pur di piangere, povero afflitto cor [1'35]
- Salve regina Johann Adolf Hasse (1699-1783)
- 13 Movement 1: Salve regina, mater misericordiae [5'44]
- 14 Movement 2: Ad te clamamus exsules, filii Hevae [4'53]
- 15 Movement 3: Eia ergo advocata nostra illos tuos [2'26]
- 16 Movement 4: Et Jesum, benedictum fructum ventris tui [3'46]
- Infirmata vulnerata Alessandro Scarlatti (1660-1725)
- 17 Movement 1. Aria: Infirmata vulnerata puro deficit amore [3'39]
- 18 Movement 2. Recitativo: O care, o dulcis amor [0'34]
- 19 Movement 3. Aria: Vulnera percute, transfige cor [3'18]
- 20 Movement 4. Aria: Cur, quaeso, crudelis es factus? [2'31]
- 21 Movement 5. Recitativo: Vicisti, amor, et cor meum [0'29]
- 22 Movement 6. Aria: Semper gratus desiderabilis [1'57]
- O di Betlemme altera Alessandro Scarlatti (1660-1725)
- 23 Movement 1: Introduzione [1'56]
- 24 Movement 2. Recitativo: O di Betlemme altera povertà venturosa! [0'42]
- 25 Movement 3. Aria: Dal ben seno d'una stella [2'05]
- 26 Movement 4. Recitativo: Presa d'uomo la forma, alle gelide tempre [0'51]
- 27 Movement 5. Aria: L'autor d'ogni mio bene [4'00]
- 28 Movement 6. Recitativo: Fortunati pastori giacchè v'è dato in sorte [0'40]
- 29 Movement 7. Aria: Tocco la prima sorte a voi, pastori [8'24]
- The King's Consort - orchestra
- Robert King - conductor
- SCARLATTI
- HASSE
In the eighteenth century the cantata was considered to be the supreme challenge for a composer's artistry. Here are recorded three fine examples from the enormous corpus of such works by Alessandro Scarlatti, two for solo voice with continuo, and one which includes a particularly demanding part for obbligato trumpet, faultlessly played by Crispian Steele-Perkins. These cantatas are joined by settings of the Salve Regina by Domenico Scarlatti (Alessandro's sixth son) and Johann Adolf Hasse (a pupil). The work by Hasse is distinctly operatic with florid vocal and instrumental lines, and the younger Scarlatti similarly finds himself drawn away from religious deference to a more flamboyant style. --------------------------------------------------------- 'Congratulations to Hyperion on imaginative programming of repertoire, some not otherwise available on disc. Highly recommended ... for repeated enjoyable listening' (BBC Music Magazine) 'Una de las mejores elecciones de musica barroca que haya escuchado este año. Por supuesto que lo recomiendo vivamente' (CD Compact, Spain) 'The recording is exemplary. If you want an introduction to vocal writing in compact forms in early 18th-century Italy, this is ideal' (American Record Guide)