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BEETHOVEN, Bruno Walter
Symphony No. 6 'Pastorale'
Legendarna seria GREAT PERFORMANCES teraz na K2HD!
RODGERS, HAMMERSTEIN, Julie Andrews
Sound Of Music
EGZEMPLARZE NUMEROWANE Z PLATYNOWEJ PARTII 250-500 SZTUK!
NAIM Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Elixir of Sound
Nowa, jeszcze bardziej skuteczna receptura! Najlepszy na rynku płyn do igieł gramofonowych
ClearAudio
Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
Pierwszy i najważniejszy przyrząd do właściwej regulacji toru gramofonowego.
SCARLATTI, HASSE, The King's Consort, Robert King
Salve regina, Cantatas and Motets
- 1 Movement 1: Salve regina mater misericordiae [2'14]
- 2 Movement 2: Ad te clamamus exsules filii Hevae [4'22]
- 3 Movement 3: Nobis post hoc exsilium ostende [2'34]
- Salve regina in A major Domenico Scarlatti (1685-1757)
- 1 Movement 1: Salve regina, mater misericordiae [2'14]
- 2 Movement 2: Ad te clamamus exsules, filii Hevae [4'22]
- 3 Movement 3: Nobis post hoc exsilium ostende [2'34]
- 4 Movement 4: O clemens, o pia [3'51]
- Su le sponde del Tebro Alessandro Scarlatti (1660-1725)
- 5 Movement 1: Sinfonia [1'39]
- 6 Movement 2. Recitativo: Su le sponde del Tebro [1'07]
- 7 Movement 3. Sinfonia – Aria: Contentatevi, o fidi pensieri [3'12]
- 8 Movement 4. Recitativo: Mesto, stanco, e spirante dal duol' che l'opprimea [0'47]
- 9 Movement 5. Largo: Infelici miei lumi [3'20]
- 10 Movement 6. Aria: Dite almeno, astri crudeli [2'44]
- 11 Movement 7. Recitativo: All' aura, al cielo, ai venti [0'57]
- 12 Movement 8. Aria: Tralascia pur di piangere, povero afflitto cor [1'35]
- Salve regina Johann Adolf Hasse (1699-1783)
- 13 Movement 1: Salve regina, mater misericordiae [5'44]
- 14 Movement 2: Ad te clamamus exsules, filii Hevae [4'53]
- 15 Movement 3: Eia ergo advocata nostra illos tuos [2'26]
- 16 Movement 4: Et Jesum, benedictum fructum ventris tui [3'46]
- Infirmata vulnerata Alessandro Scarlatti (1660-1725)
- 17 Movement 1. Aria: Infirmata vulnerata puro deficit amore [3'39]
- 18 Movement 2. Recitativo: O care, o dulcis amor [0'34]
- 19 Movement 3. Aria: Vulnera percute, transfige cor [3'18]
- 20 Movement 4. Aria: Cur, quaeso, crudelis es factus? [2'31]
- 21 Movement 5. Recitativo: Vicisti, amor, et cor meum [0'29]
- 22 Movement 6. Aria: Semper gratus desiderabilis [1'57]
- O di Betlemme altera Alessandro Scarlatti (1660-1725)
- 23 Movement 1: Introduzione [1'56]
- 24 Movement 2. Recitativo: O di Betlemme altera povertà venturosa! [0'42]
- 25 Movement 3. Aria: Dal ben seno d'una stella [2'05]
- 26 Movement 4. Recitativo: Presa d'uomo la forma, alle gelide tempre [0'51]
- 27 Movement 5. Aria: L'autor d'ogni mio bene [4'00]
- 28 Movement 6. Recitativo: Fortunati pastori giacchè v'è dato in sorte [0'40]
- 29 Movement 7. Aria: Tocco la prima sorte a voi, pastori [8'24]
In the eighteenth century the cantata was considered to be the supreme challenge for a composer's artistry. Here are recorded three fine examples from the enormous corpus of such works by Alessandro Scarlatti, two for solo voice with continuo, and one which includes a particularly demanding part for obbligato trumpet, faultlessly played by Crispian Steele-Perkins. These cantatas are joined by settings of the Salve Regina by Domenico Scarlatti (Alessandro's sixth son) and Johann Adolf Hasse (a pupil). The work by Hasse is distinctly operatic with florid vocal and instrumental lines, and the younger Scarlatti similarly finds himself drawn away from religious deference to a more flamboyant style. --------------------------------------------------------- 'Congratulations to Hyperion on imaginative programming of repertoire, some not otherwise available on disc. Highly recommended ... for repeated enjoyable listening' (BBC Music Magazine) 'Una de las mejores elecciones de musica barroca que haya escuchado este año. Por supuesto que lo recomiendo vivamente' (CD Compact, Spain) 'The recording is exemplary. If you want an introduction to vocal writing in compact forms in early 18th-century Italy, this is ideal' (American Record Guide)