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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
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Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SCARLATTI, Colin Tilney
Ladders to Heaven - 16 Late Sonatas
- Colin Tilney - harpsichords
- SCARLATTI
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Nr kat.: DOR93253Label : DORIAN (USA)
Domenico Scarlatti (1685-1757) must have seemed destined for the musical theater. He was the musically gifted son of Alessandro Scarlatti, the leading composer of Neapolitan opera of the day. He had two operas produced in Naples before he was twenty and within a few years was enjoying success in Rome, first in the service of the exiled Queen Maria Casmira of Poland and later as maestro of the Cappella Giulia in the Vatican. In 1719, at the age of 34, he suddenly abandoned his promising Roman career for a position as mestre de capela at the Portuguese court in distant Lisbon. Here, his duties included both the composition of sacred music and the musical instruction of the King's brother, Don Antonio, and daughter, the infanta Maria Barbara. When Maria Barbara was married to the Spanish infante in 1729, Scarlatti accompanied her to Spain where he remained as her music master (and spy for her father?) for the rest of his life. ?? John Phillips, 2002