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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Sarband
Sacred Women
- Sarband
59.00 PLN
CD:
Nr kat.: DOR93235Label : DORIAN (USA)
Women as composers and performers of Medieval Chant
The liturgical music of many early Christian churches of the Near East can be traced back to the Patriarchate of Antiochia and its rites. In the same way the Maronitic church, a Christian denomination which emerged latest at the time of the first crusades in Syria and in today's Lebanon, was shaped mainly by Middle Eastern surroundings. Until today, in spite of many changes and reforms in the details, the Maronitic as well as the Melchitic and Syrian-catholic rites have handed down and kept alive chants dating back to the first centuries of Christianity. The early Christian Syrian heretics (i.e. Bardasian and Paul of Samosota) cultivated women's choirs and women's solo chants (although the apostle Paul had already forbidden women to sing church chants). However, this powerful and even today alive tradition provoked a ban (if only officially) in the late 4th century which forbade women's chants in the liturgy. . . . _- Sarband The recorded works and program notes for the Daughter of Ioannes Kladas (No. 4) and Kassia (Nos. 7 and 13) are based on the research of Professor Diane Touliatos in her published article, "Women Composers of Medieval Byzantine Chant," College Music Symposium, vol. 24, number 1, Spring, 1984, pp. 62-80. For more information on Touliatos? published works on medieval women composers, please see the website: www.hellenist.org _Sarband Ensemble thanks Professor Touliatos for her pioneering work in this area.