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RESPIGHI, Eduardo Mata, Dallas Symphony Orchestra

Roman Festivals Brazilian Impressions, Pines of Rome

  • Eduardo Mata - Respighi Roman Festivals Brazilian Impressions, Pines of Rome, Dallas S. O. Mata
  • 01. Respighi, Roman Festivals, Circuses, DSO, Mata (4:41)
  • 02. Respighi, Roman Festivals, The Jubilee, DSO, Mata (7:07)
  • 03. Respighi, Roman Festivals, The October Festival, DSO, Mata (8:30)
  • 04. Respighi, Roman Festivals, The Epiphany, DSO, Mata (5:51)
  • 05. Respighi, Brazilian Impressions, Tropical Night, DSO, Mata (10:39)
  • 06. Respighi, Brazilian Impressions, Butantan, DSO, Mata (5:09)
  • 07. Respighi, Brazilian Impressions, Cazone and Dance, DSO, Mata (4:08)
  • 08. Respighi, Pines of Rome, The Pines of Villa Borghese, DSO, Mata (2:45)
  • 09. Respighi, Pines of Rome, The Pines near a Catacomb, DSO, Mata (6:44)
  • 10. Respighi, Pines of Rome, The Pines of the Janiculum, DSO, Mata (6:59)
  • 11. Respighi, Pines of Rome, The Pines of the Appian Way, DSO, Mata (6:42)
  • Eduardo Mata - conductor
  • Dallas Symphony Orchestra - orchestra
  • RESPIGHI
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64.00 PLN

CD:

Nr kat.: DOR90182
Label  : DORIAN (USA)

NAGRANIE REFERENCYJNE - 20bit - FIBER OPTIC DISK

Often labelled as a "romantic-impressionist", Respighi's professional life reflected the principles proclaimed in the 1932 manifesto. He firmly believed that "a real creative artist" could still work within the boundaries of tonal language. Respighi also refused to dabble in the scholasticism that was the vogue with many contemporary composers. . . . Unlike the narrow compositional language of Stravinsky's and Schoenbergs' followers, Respighi's idiom is pleasantly, even lusciously, eclectic. Though a well-travelled, cultured man, he remained at heart very simple. His admittedly conservative style exhibits an elegant humanity that shows the composer not so much a thinker as an avid observer. - J. Knighten Smit