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Remy Baudet, Francine van der Heijden, Dirk Luijmes

Dutch Airlines - Harmonium Music...

  • 1. Louis Andriessen, Remembering that sarabande...
  • 2. Cor Kint, 3. Scherzino
  • 3. Cor Kint, Duoleur op. 12
  • 4. Jan van Nuenen, Preludium
  • 5. Jan van Nuenen, Intermezzo
  • 6. Jan van Nuenen, Improvisatie
  • 7. Jan van Nuenen, Melodie
  • 8. Alphons Diepenbrock, Ave Maria
  • 9. Henri Zagwijn, Zeer gedragen
  • 10. Rosy Wertheim, Hymne
  • 11. Martijn Padding, Padding's countrydance Nr. 1
  • 12. Martijn Padding, Vox humana
  • 13. Martijn Padding, Padding's countrydance Nr. 2
  • 14. Andries van Rossem, Longen en tongen
  • 15. Chiel Meijering, Waar is mijn kind
  • 16. Chiel Meijering, Adam was gebonden
  • 17. Guus Janssen, Harm
  • 18. Roderik de Man, Machina ex Deo
  • Remy Baudet - violin
  • Francine van der Heijden - soprano
  • Dirk Luijmes - harmonium
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49.00 PLN

CD:

Nr kat.: CC72166
Label  : Challenge (Holandia)

This CD features the harmonium with works, written for the instrument by Dutch composers of all sorts and from diverse periods.Performers and restorers are removing the mothballs from instruments and rediscovering their individual qualities. Partly at request of Luijmes, numerous Dutch composers took up their pen to restore the harmonium to honour, with surprising and splendid results. They literally and figuratively breathe new life into the instrument that had a bad reputation among professional musicians in the Netherlands. And no wonder: in most cases the harmonium functioned as nothing more than a pseudo-organ, thus earning nicknames such as 'psalm pump', 'Hallelujah commode' and 'circular saw of the faith'. The fact that many 'serious' composers ignored the instrument may also have had something to do with the nature of the instruments that inundated the Dutch market. These were notably suction harmoniums: instruments with an inwardly directed sound, often possessing limited expressive potential. Dirk Luijmes has opted for two French compression harmoniums (Victor Mustel,1878 and 1901), primarily because these instruments have great dynamic and expressive possibilities.