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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Quincy Jones
Quincy Jones Explores The Music Of Henry Mancini
- Quincy Jones
If ever anyone was predestined to lend the final polish to Henry Mancini's film and TV themes, then it must certainly have been none other than Quincy Jones. The melodies which provided the background music to over 120 films just kept buzzing around in one's head, and they very often remained far longer in one's memory than the often banal Hollywood film series for which they were written. These small musical gems all have one thing in common: they have a light touch of brass in their big band sound..And this is exactly where Quincy Jones stepped in. Thanks to his polished arrangements, these new interpretations blazed with a fire which was lacking in the simple film-music version. A jazzy rhythmic group plus soloists from Duke Ellington and Count Basie's circle and further enhanced by a few musicians with a more modern style such as Roland Kirk, Phil Woods and Gary Burton provided the icing on the cake which was missing in Henry Mancini's catchy tunes. Even 40 years later this album offers film fans, middle-of-the-road freaks and jazz enthusiasts alike the very best there is in this field: it's a marvellous disc - both to listen and to dance to..In the Sixties the Mercury Studios were renowned for their sound: in particular the placing of the microphones and the sound recording (often on magnetic film) had been perfected and this resulted in a recording technique which makes this re-issue the absolute cr?me de la cr?me.
