Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PRIMA VOCE, Ernestine Schumann-Heink
Ernestine Schumann-Heink 1906-1929
Galeria okładek
ZamknijGaleria okładek
- 1 LUCREZIA BORGIA, Donizetti, Brindisi (Il segreto per esser felici) 3.04
Rec: 3 Jan 1906 Matrix: C2978-1 Victor Cat: 85096 (sung in German)
2 Arditi, Leggero Invisibile (Bolero) 4.08
Rec: 24 July 1907 Matrix: C470-1 Victor Cat: 6367
3 Becker, Frühlingszeit 3.21
Rec: 24 July 1907 Matrix: B4702-1 Victor Cat: 830
4 LE PROPHETE, Meyerbeer, Ah, mon fils! 4.19
Rec: 18 Sept 1909 Matrix: C2977-2 Victor Cat: 6279
5 LE PROPHETE, Meyerbeer, O pr?tres de Baal Il va venir (Prison scene) 6.52
Rec: 26 Sept 1907 Matrix: C4838-2/4839-1 Victor Cat: 88094/5
6 DAS RHEINGOLD, Wagner, Weiche, Wotan 4.10
Rec: 30 July 1907 Matrix: C4732-1 Victor Cat: 88092
7 Millöcker, I und mei Bua 3.58
Rec: 29 Sept 1908 Matrix: C6480-2 Victor Cat: 6278
8 RIENZI, Wagner, Gerechter Gott! 4.26
Rec: 29 Sept 1908 Matrix: C6478-1 Victor Cat: 88140
9 RINALDO, Handel, Lascia ch'io pianga 4.23
with Herbert Witherspoon (bass)
Rec: 18 Sept 1909 Matrix: C3825-2 Victor Cat: 88189
10 Schubert, Der Erlkönig 3.52
Rec: 7 Dec 1911 Matrix: C11339-1 Victor Cat: 6273
11 Wagner, Traume 4.24
Rec: 8 Dec 1911 Matrix: C11337-2 Victor Cat: 88343
12 Reimann, Spinnerliedchen 1.51
Rec: 16 Jan 1913 Matrix: B12799-1 Victor Cat: 830 (piano: Hoffmann)
13 Molloy, The Kerry Dance 3.56
Rec: 17 Sept 1913 Matrix: C12802-2 Victor Cat: 88451
14 Brahms, Wiegenlied 2.06
Rec: 14 Sept 1915 Matrix: B3826-2 VictorCat: 838
15 Böhm, Still wie die Nacht 3.06
Rec: 28 Sept 1921 Matrix: B25580-1 Victor Cat: 836
16 German folk song, Du, du liegst mir im Herzen 3.11
Rec: 29 Sept 1924 Matrix: B30952-2 Victor Cat: 1049
17 Lieurance, By the Waters of Minnetonka 2.44
Rec: 1 Nov 1926 Matrix: BVE 36750-1 Victor Cat: 1198
18 DAS RHEINGOLD, Wagner, Weiche, Wotan 4.10
Rec: 17 July 1929 Matrix: CVE 55615-2 Victor Cat: 7107 (dir: R. Bourdon)
19 GÖTTERDÄMMERUNG, Wagner, Höre mit Sinn, was ich dir sage! 5.01
Rec: 17 July 1929 Matrix: CVE 55616-1 Victor Cat: 7107 (dir: R. Bourdon)
- PRIMA VOCE - serie
- Ernestine Schumann-Heink - soprano
“Great artist, great woman ... by the end of this excellent selection of her recordings the special quality of her voice and artistry and of the woman herself could hardly leave the listener unmoved despite the great gap of time. Everything on these records has imagination and a loving commitment brought to it ... perhaps I may quote a sentence from a letter I received recently from the States: "I remember her voice just as it sounds on the CD". The writer was Schumann-Heink's youngest grand-daughter, who heard her daily, still practising scales and exercises, and who played the piano for her to sing, probably for the last time, two days before she went into hospital and a fortnight before her death.”
