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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PICCINNI, Gabriella Morigi, Maria Angeles Peters, Bruno Pratico, La Serenissima, Bruno Campanella
La Cecchina o sia La Buona Figliola
ZamknijGaleria okładek
- Gabriella Morigi - soprano
- Maria Angeles Peters - soprano
- La Serenissima
- Bruno Pratico - baritone
- Bruno Campanella - conductor
- PICCINNI
74.00 PLN
2 CD:
Nr kat.: NE7358Label : Nuova Era
Review by Uncle Dave Lewis [-] La Cecchina ossia La buona Figliuola (Cecchina, or The Good-Natured Girl; 1760) was Italian composer Niccolò Piccinni's greatest success in his native tongue; later, he competed with Christoph Willibald Gluck in Paris, and posterity has deigned Gluck the winner on that score. Nevertheless, Piccinni's work, made from a Carlo Goldoni libretto based on incidents from Samuel Richardson's novel Pamela, is of central historical value to eighteenth century opera, and it is a pity that this Memories release is the most traveled of the three recordings made of it. Led by conductor Bruno Campanella and featuring Maria Angeles Peters in the lead role, the package rather unscrupulously avoids identifying the opera company that gave this performance in the summer of 1990, but it is most likely the Teatro Regio di Torino. In a superficial way, the sound is better than is the standard for pirated opera; it may have been made from the prompter's box or from the seat of an especially fidgety audience member. There is, however, a constant racket going on in this recording: either footfalls from the stage, shifting in a seat, occasional hushed exclamations from the recordist, and so on. What it might be doesn't matter; what does matter is that all of this extraneous noise and racket provides such a high level of distraction that it is impossible to concentrate on the music or the quality of the performance. Among the two alternatives, the Bongiovanni recording under Vito Paternoster is the most likely candidate for something preferable. However, by comparison this recording simply isn't a good value for anyone's money.
