Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Peter Martin
In the P.M
- Peter Martin - piano
79.00 PLN
CD:
Nr kat.: MXJ211Label : MaxJazz (USA)
Martin returns to the studio with his long time collaborators Reuben Rogers, bass; and Greg Hutchinson, drums; a trio that currently backs Grammy-award-winning vocalist Dianne Reeves. In The P.M. also features MAXJAZZ recording artist and vocalist Erin Bode on three of the eleven tracks. AllMusic Review by Scott Yanow Peter Martin has a lyrical and lightly swinging style on piano. For this well-rounded set, he is heard leading a piano trio that also includes bassist Reuben Rogers and drummer Greg Hutchinson, doubling on electric piano, taking a couple unaccompanied solos, and, on three numbers, accompanying the pleasant if rather safe vocals of Erin Bode (who is most effective on a sweet version of "It Could Happen to You"). Martin has a likable style that is heard at its best on an uptempo "Never Let Me Go," his complex original "Modern Cacophony," Jesse Davis' melodic "Only in a Dream" (which deserves to become a standard), and a blues-oriented tribute to Ray Brown, "'Ting for Ray." All in all, a recommended set of accessible jazz.
