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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Paul Simon
Still Crazy After All These Years
- Paul Simon - vocals, guitar
STILL CRAZY marked the end of one era for Simon and pointed toward the beginning of another. Simon was always the kind of artist whose growth could be easily measured from album to album, as he progressed from and expanded upon his previous work. The songs here are the furthest logical extensions of the songwriting style he developed in the early '70s. The musical and lyrical sophistication of said style is at its apex; it was the best Paul Simon album possible at that time. From the brooding sexual disconsolation of "50 Ways To Leave Your Lover" to the the barely veiled psychosis of the title track, STILL CRAZY is full of expertly crafted songs of neurosis and disaffection. Also at its peak is the Randy Newmanesque irony Simon was fond of practicing in the '70s, as on "You're Kind" and "Have A Good Time." Listeners must have thought there was nowhere left for Simon to go after this seeming creative peak. Little did they know, they hadn't heard nothin' yet. Record Collector (magazine) (p. 97) - 4 stars out of 5 -- "[With] Simon enlisting a crack squad of New York jazz session players for a record that was clearly more personal than anything that had gone before." Paul Simon - w naszej ofercie
