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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Oscar Pettiford, Vinnie Burke
Pettiford - Burke / Bass
- Pettiford - Burke / Bass
- 01. Sextette (2:58)
- 02. Golden Touch (2:34)
- 03. Cable Car (2:21)
- 04. Tricrotism (2:43)
- 05. Edge of Love (2:25)
- 06. Oscar Rides Again (2:35)
- 07. The Continental (2:51)
- 08. For All We Know (2:19)
- 09. Yesterdays (3:16)
- 10. Imagination (2:43)
- 11. Time Out (2:42)
- 12. Softly As In The Morning Sunrise (1:25)
- 13. On the Alamo (4:03)
- 14. Honeysuckle Rose (2:22)
- Oscar Pettiford - double bass
- Vinnie Burke - double bass
>>> THIS IS K2 HD SOUND - 100 kHz and 24-BIT RESOLUTION! Although the great bassist Oscar Pettiford gets first billing, this CD actually has six selections from his quintet (with tenor saxophonist Charlie Rouse, Julius Watkins on French horn, pianist Duke Jordan, and drummer Ron Jefferson) and eight from bassist Vinnie Burke's quartet (clarinetist Ronnie Oldrich, Don Burns on accordion, and guitarist Joe Cinderella). The Pettiford half is notable for including three of his compositions ("Tricrotism" is best known), utilizing the Rouse-Watkins front line (which would become the Jazz Modes during 1956-1958) and for Pettiford doubling on cello. The Burke group has the usual instrumentation exploring melodic versions of seven standards, plus the bassist's "Time Out." These two unrelated sessions are complementary, displaying the cooler side of 1950s bebop.
