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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MUSSORGSKY, Ezio Pinza, Charles Kullman, Leonard Warren, Ettore Panizza
Boris Godunov
99.00 PLN
3 CD:
Nr kat.: 8110044Label : NAXOS
Review by: Robert Levine Artistic Quality: 8 Sound Quality: 6 There are several well-known editions of this score–Mussorgsky’s own, Rimsky-Korsakov’s–but here’s a new one: The Met’s. Recorded in December, 1939, this Italian-language version contains almost all of Mussorgsky’s music from both of his versions–but the Kromy Forest Scene is placed before Boris’ death and the Coronation Scene, amazingly, shows up after the dreary scene in Pimen’s cell! Perhaps the Met realized its audience needed to be jolted by a star-singer every so often, but whatever the reason, it’s disconcerting. That having been said, there’s much to admire here: Ezio Pinza’s Boris is lavishly, luxuriously intoned, with great beauty and pathos, and if the Italian language sounds absolutely wrong throughout, at least Pinza sounds at home with it. In Italian, and as led by Ettore Panizza, the Polish Act sounds like a true Italian opera, and Kerstin Thorberg (as Marina) and Charles Kullman (as Dmitri) might be right out of Verdi, with Leonard Warren’s Rangoni unctuously right behind. Nicola Moscona sounds more baritonal than bass-ish as Pimen, but he’s still effective, and the remainder of the large cast, especially the slimy Shuysky of Alessio de Paolis, is top-notch. This is obviously a Boris for those with a taste for marinara sauce with their blinis, but that may not be such a terrible dish after all. [10/2/1999]